Medium M. J. Holliday battles demons in the tenth Ghost Hunter Mystery from the New York Times bestselling author of No Ghouls Allowed . M.J., Heath, and Gilley, are back home in Boston, where their new film is sure to be a monster hit!  To promote the film, the studio is sponsoring a special exhibit of supernatural artifacts at a local museum. Unfortunately, Gilley—whose mind is engaged with wedding plans—gets talked into donating to the exhibit the very dagger that keeps the dangerous ghost Oruç and his pet demon locked down in the lower realms. Before M.J. can recover the bewitched blade, there’s a murder and a heist at the museum, and the dagger is stolen.   Now Oruç is coming for M.J. and her crew, and he's bringing with him some fiendish friends from M.J.’s haunted past. She, Gilley, and Heath are certain to be in for a devil of a time. M.J. may even need to recruit a certain skeptical Boston detective to help stop the paranormal party crashers from turning Gilley’s wedding bells to funeral knells. . . . Praise for the New York Times Bestselling Ghost Hunter Mysteries   “Quickly paced and cleverly constructed mystery...[M.J. is] endearingly goofy, insanely brave, and loyal to a fault, she injects both humor and heart into a story.”—Smitten by Books   “A fearsome, thrilling tale...this terrific read hits on all cylinders.” — Suspense Magazine   “Delightful...Laurie nicely balances goofiness and terror.” — Publishers Weekly   “Induces chills while never losing its sense of humor or fun.” —Kings River Life Magazine Real-life psychic Victoria Laurie is the New York Times bestselling author of the Ghost Hunter Mysteries, including No Ghouls Allowed , and the Psychic Eye Mysteries, including Sense of Deception . She drew from her career as a gifted intuitive to create the characters of Abigail Cooper and M. J. Holliday. She now lives in Michigan with two spoiled dachshunds, Lilly and Toby, and one opinionated parrot named Doc. “VICTORIA LAURIE IS THE QUEEN OF PARANORMAL MYSTERIES.” —BookReview.com Praise Books by Victoria Laurie Title Page Copyright Dedication Acknowledgments Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Chapter 11 Chapter 12 Chapter 13 Chapter 14 Chapter 15 Chapter 16 Chapter 17 Chapter 18 Excerpt from Abby Cooper, Psychic Eye About the Author Chapter 1 It was a drizzly spring late afternoon in Boston when Heath and I walked into my office off Mass Ave, holding hands and smiling wickedly. Who’s Heath, you ask? Well . . . that’s where things get a little complicated. In order to tell you who Heath is, I need to swear you to secrecy. Not the “Oh, I will only tell my eleventy million friends on Facebook—pinkie swear” kind of secret. An. Actual. Secret. See, the last time I checked in with you all, Heath was simply my boyfriend. My love. My partner in both the business and domestic sense, and yes, sometimes our domestic stuff is all about the “bidness,” but I digress. Or first, perhaps I must explain. About eight months ago “the call” came in . . . and by that I mean that myself, Heath, Gilley, and respective members of our Ghoul Getters cast were made rich, I tell you . . . rich ! The call was from a major motion picture studio, which had agreed to distribute a movie we’d made a few years back while on location for our TV ghostbusting show, Ghoul Getters . The individual episode and all of the extra footage from one particular ghostbust we’d done in Scotland had been purchased by a production company—Prescott Productions—but the production company had needed the backing of a major motion picture studio to green-light the distribution before the movie actually got funded and any of us got paid. For several years all that extra footage just sat on the shelf, but just when we’d all given up the dream, the call had come in that the movie was a go. In fact, The Haunting of the Grim Widow was set to release in theaters everywhere a week after Heath and I got back from our trip. I hadn’t actually seen the completed film yet, mostly because I’d barely lived through my encounter with the Widow and had no urge to relive it. Still, we had captured some stuff on film that would make your hair curl, and luckily for us, some studio execs finally took notice. They were now all over the idea of promoting a “real” horror flick that was as creepy as The Conjuring , without all the special effects. What that had meant for us, specifically, was a considerable signing bonus, with an additional amount due later in the form of a portion of the box office in royalties. In other words, the second we stopped taping our last Ghoul Getters episode, none of us—the talent and our small crew—ever really had to work again if we were careful and invested wisely, of course. Anyway, it’d taken about seven months to finish that last location shoot for GG , but at the end of the week, we each received our first big check. Now,