Through the richly intertwined narratives of two women from different generations, Ashley Hay, known for her “elegant prose, which draws warm and textured portraits as it celebrates the web of human stories” ( New York Times Book Review ) weaves an intricate, bighearted tale of the many small decisions—the invisible moments—that come to make a life. “Readers who loved the quiet introspection of Anita Shreve’s The Pilot’s Wife and Elizabeth Strout’s Olive Kitteridge will enjoy the detailed emotional journeys of Hay’s characters. Their stories will linger long after the final page is turned” ( Library Journal ). When Elsie Gormley leaves the Brisbane house in which she has lived for more than sixty years, Lucy Kiss and her family move in, eager to establish their new life. As they settle in, Lucy and her husband Ben struggle to navigate their transformation from adventurous lovers to new parents, taking comfort in memories of their vibrant past as they begin to unearth who their future selves might be. But the house has secrets of its own, and the rooms seem to share recollections of Elsie’s life with Lucy. In her nearby nursing home, Elsie traces the span of her life—the moments she can’t bear to let go and the places to which she dreams of returning. Her beloved former house is at the heart of her memories of marriage, motherhood, love, and death, and the boundary between present and past becomes increasingly porous for both her and Lucy. Over the course of one hot Brisbane summer, two families’ stories intersect in sudden and unexpected ways. Through the richly intertwined narratives of two ordinary, extraordinary women, Ashley Hay uses her “lyrical prose, poetic dialogue, and stunning imagery” ( RT magazine) to weave an intricate, bighearted story of what it is to be human. “Readers who loved the quiet introspection of Anita Shreve’s The Pilot’s Wife and Elizabeth Strout’s Olive Kitteridge will enjoy the detailed emotional journeys of Hay’s characters. Their stories will linger long after the final page is turned.” (Library Journal) Praise for A Hundred Small Lessons : “A reflective, mystical meditation on interconnectedness and shared experiences…that will prompt readers to reflect on how one life can be commingled with the past as well as be a first draft of the future.” ― Shelf Awareness, starred review “Numerous scenes in this thoughtful novel will linger in the reader’s memory …A lyrically written portrayal of the lives of two women tied together by memories and the house they share, A Hundred Small Lessons is sure to be enjoyed by readers of Kate Morton.” ― BookPage (Top Pick) “Hay’s prose is stunningly, shatteringly beautiful , and the emotional punch she delivers as the women’s paths ultimately converge makes this seemingly quiet novel a breathless and powerful read .” ― San Francisco Book Review “Hay truly encapsulates how our lives are interwoven . We are sent on a journey through the decades as small events and echoes of memories overlap, intersect and suddenly converge into a beautiful portrait spanning the past, present and future. Every word has a purpose and resonates …Readers will fall in love with the vivid landscapes of Brisbane and the impeccable, lyrical language that seeps from the pages.” ― RT Book Reviews "If you haven’t read anything by Ashley Hay, you are in for a treat : her language is lyrical, the lives she creates are authentic, her words are a delight to read. This is another delightful book from a very talented writer ." ― WAMC Radio “This contemplative novel explores the emotions of saying goodbye to a life of familiarity and embracing the unknown …Readers who loved the quiet introspection of Anita Shreve’s The Pilot’s Wife and Elizabeth Strout’s Olive Kitteridge will enjoy the detailed emotional journeys of Hay’s characters. Their stories will linger long after the final page is turned.” ― Library Journal “If home is where the heart is, when does a house become a home—or, conversely, stop being one? Two women struggle to find the answer…Elsie’s aging memories give the book a timeless sense of marriage and motherhood and perhaps a flicker of what Lucy may find in her future. The home that Elsie must give up with regret, Lucy must learn to love. This is typical of Hay who slowly weaves a tale of past and present lives, exploring the sense that the gap between the two women is not impervious to sensitive souls. Both Elsie and Lucy are finely and sympathetically drawn , and their lives highlight issues that affect many women. A cerebral tale, slow-moving but profound .” -- Kirkus “Her intricately layered story, bolstered by perspectives of an old mother and a young one, tackles the thorny questions of what it means to become a parent and how it feels to be no longer needed as one. Lyrical and tenderhearted , this will delight fans of Liane Moriarty and Kate Hewitt.” ― Booklist “Engaging…Hay’s perceptive