Tree-ear is fascinated by the celedon ware created in the village of Ch’ulp’o. He is determined to prove himself to the master potter, Min—even if it means making a solitary journey to present Min’s work in the hope of a royal commission . . . or arriving at the royal court with nothing but a single celadon shard. Park (Seesaw Girl) molds a moving tribute to perseverance and creativity in this finely etched novel set in mid-to-late 12th century Korea. . . Readers will not soon forget these characters or their sacrifices. Publishers Weekly, Starred " Intrigues, danger and the same strong focus on doing what is right turn a simple story into a compelling read. . . Tree-ear's story conveys a time and place far away and long ago, but with a simplicity and immediacy that is both graceful and unpretentious. A timeless jewel." Kirkus Reviews with Pointers Like Park's Seesaw Girl and the Kite Fighters, this book not only gives readers insight an unfamilar time and place, but it is also a great story. School Library Journal, Starred This quiet, but involving story draws readers into a very different time and place. Though the society has its own conventions, the hearts and minds and stomachs of the characters are not so far removed from those of people today. Readers will feel the hunger and cold that Tree-ear experiences, as well as his shame, fear, gratitude, and love. A well-crafted novel with an unusual setting. Booklist, ALA, Starred Review Park's story is alive with fascinating information about life and art in ancient Korea. Horn Book Guide A broken piece of pottery sets events in motion as an orphan struggles to pay off his debt to a master potter. This finely crafted novel brings 12th-century Korea and these indelible characters to life. SLJ Best Books of the Year null Children's Books: 100 Titles NYPL null Booklist, Editor's Choice Linda Sue Park is the author of the Newbery Medal book A Single Shard, many other novels, several picture books, and most recently a book of poetry: Tap Dancing on the Roof: Sijo (Poems). She lives in Rochester, New York, with her family, and is now a devoted fan of the New York Mets. For more infromation visit www.lspark.com. Chapter 1 "Eh, Tree-ear! Have you hungered well today?" Crane-man called out as Tree-ear drew near the bridge. The well-fed of the village greeted each other politely by saying, "Have you eaten well today?" Tree-ear and his friend turned the greeting inside out for their own little joke. Tree-ear squeezed the bulging pouch that he wore at his waist. He had meant to hold back the good news, but the excitement spilled out of him. "Crane-man! A good thing that you greeted me so just now, for later today we will have to use the proper words!" He held the bag high. Tree-ear was delighted when Crane-man’s eyes widened in surprise. He knew that Crane-man would guess at once—only one thing could give a bag that kind of smooth fullness. Not carrot-tops or chicken bones, which protruded in odd lumps. No, the bag was filled with rice. Crane-man raised his walking crutch in a salute. "Come, my young friend! Tell me how you came by such a fortune—a tale worth hearing, no doubt!" Tree-ear had been trotting along the road on his early-morning perusal of the village rubbish heaps. Ahead of him a man carried a heavy load on a jiggeh, an open-framed backpack made of branches. On the jiggeh was a large woven-straw container, the kind commonly used to carry rice. Tree-ear knew that the rice must be from last year’s crop; in the fields surrounding the village this season’s rice had only just begun to grow. It would be many months before the rice was harvested and the poor allowed to glean the fallen grain from the bare fields. Only then would they taste the pure flavor of rice and feel its solid goodness in their bellies. Just looking at the straw box made water rush into Tree- ear’s mouth. The man had paused in the road and hoisted the wooden jiggeh higher on his back, shifting the cumbersome weight. As Tree-ear stared, rice began to trickle out of a hole in the straw box. The trickle thickened and became a stream. Oblivious, the man continued on his way. For a few short moments Tree-ear’s thoughts wrestled with one another. Tell him—quickly! Before he loses too much rice! No! Don’t say anything—you will be able to pick up the fallen rice after he rounds the bend . . . Tree-ear made his decision. He waited until the man had reached the bend in the road, then ran to catch him. "Honorable sir," Tree-ear said, panting and bowing. "As I walked behind you, I noticed that you are marking your path with rice!" The farmer turned and saw the trail of rice. A well-built man with a broad suntanned face, he pushed his straw hat back, scratched his head, and laughed ruefully. "Impatience," said the farmer. "I should have had this container woven with a double wall. But it would have taken more time. Now I pay for not waiting a bit longer." He struggled out of the jiggeh’s straps a