First time in paperback! A magical transformation takes place in Danielle Steel’s luminous novel: Strangers become roommates, roommates become friends, and friends become a family in a turn-of-the-century house in Manhattan’s West Village.   The plumbing was prone to leaks, the furniture rescued from garage sales. And every square inch was being devotedly restored to its original splendor—even as a relationship fell to pieces. Now Francesca Thayer, newly separated from her boyfriend, is suddenly the sole mortgage payer on her Greenwich Village townhouse. The struggling art gallery owner does the math and then the unimaginable. She puts out an advertisement for boarders, and soon her home becomes a whole new world. First comes Eileen, a fresh, pretty L.A. transplant, now a New York City schoolteacher. Then there’s Chris, a young father fighting for custody of his seven-year-old son. The final tenant is Marya, a celebrated cookbook author hoping to start a new chapter in life after the death of her husband. Over the course of one amazing, unforgettable, ultimately life-changing year, Francesca discovers that her accidental tenants have become the most important people in her life. The house at 44 Charles Street fills with laughter, heartbreak, and hope—and in the hands of master storyteller Danielle Steel, it’s a place those who visit will never want to leave.  Praise for Danielle Steel “Steel is one of the best!” — Los Angeles Times “Few modern writers convey the pathos of family and material life with such heartfelt empathy.” — The Philadelphia Inquirer “Steel pulls out all the emotional stops. . . . She delivers!” — Publishers Weekly “What counts for the reader is the ring of authenticity.” — San Francisco Chronicle Danielle Steel  has been hailed as one of the world’s most popular authors, with over 650 million copies of her novels sold. Her many international bestsellers include  Country, Prodigal Son, Pegasus,   A Perfect Life, Power Play, Winners, First Sight, Until the End of Time, The Sins of the Mother,  and other highly acclaimed novels. She is also the author of  His Bright Light,  the story of her son Nick Traina’s life and death;  A Gift of Hope,  a memoir of her work with the homeless;  Pure Joy,  about the dogs she and her family have loved; and the children’s book  Pretty Minnie in Paris. Chapter 1 Francesca Thayer sat at her desk until the figures started to blur before her eyes. She had been over them a thousand times in the past two months—and had just spent the entire weekend trying to crunch numbers. They always came out the same. It was three o’clock in the morning and her long wavy blond hair was a tangled mess as she unconsciously ran her hands through it again. She was trying to save her business and her house, and so far she hadn’t been able to come up with a solution. Her stomach turned over as she thought of losing both. She and Todd had started the business together four years ago. They’d opened an art gallery in New York’s West Village where they specialized in showing the work of emerging artists at extremely reasonable prices. She had a deep commitment to the artists she represented. Her experience in the art world had been extensive, although Todd had none at all. Before that, she had run two other galleries, one uptown after she graduated, and the other in Tribeca. But this gallery that they had started together was her dream. She had a degree in fine arts, her father was a well- known artist who had become very successful in recent years, and the gallery she shared with Todd had gotten excellent reviews. Todd was an avid collector of contemporary work, and he thought that helping her start the gallery would be fun. At the time, Todd was tired of his own career on Wall Street as an attorney. He had a considerable amount of money saved and figured he could coast for a few years. The business plan he had developed for them showed them making money within three years. He hadn’t counted on Francesca’s passion for less expensive work by entirely unknown artists, helping them whenever possible, nor had he realized that her main goal was showcasing the work, but not necessarily making a lot of money at it. Her hunger for financial success was far more limited than his. She was as much a patron of the arts as a gallerist. Todd was in it to make money. He thought it would be exciting and a welcome change of career for him after years of doing tax and estate work for an important law firm. But now he said he was tired of listening to their bleeding- heart artists, watching his nest egg dwindle to next to nothing, and being poor. As far as Todd was concerned, this was no longer fun. He was forty years old, and wanted to make real money again. When he talked to her about it he had already lined up a job at a Wall Street firm. They were promising him a partnership within a year. As far as selling art was concerned, he was done. Francesca wanted to stick with it and make t