African-derived religions enrich all aspects of Cuba's social, cultural, and everyday life, and encompass all ethnic and social groups. Politics, art, and civil events such as weddings, funerals, festivals, and carnivals all possess distinctly Afro-Cuban characteristics. In this book, Miguel Barnet provides a concise guide to the various traditions and branches of Afro-Cuban religions, particularly the Regla de Ocha (Santeria) and the Regla de Palo Monte. Africans who were brought to Cuba as slaves had to recreate their old traditions in their new Caribbean context. As their African heritage collided with Catholicism and with Native American and European traditions, certain African gods and traditions became more prominent while others lost their significance in the new Cuban culture. The author also discusses the roles of music and dance as forms of Cuban religious expression and describes the specific instru ments and symbols they employ. The book ends with an enthusiastic de piction of Barnet's recent research journey to West Africa, the Land of the Orishas. Director of the Fernando Ortiz Foundation in Havana, Cuba, and author of Biography of a Runaway Slave, Barnet explores the mythology and practices of Afro-Cuban religious movements, focusing primarily on the two largest traditions the Regla de Ocha (also known as Santer!a) and the Regla de Palo Monte. The Regla de Ocha evolved from the Yoruba traditions of Nigeria, while the Regla de Palo Monte has its roots in the religions of the Congo region. Barnet illuminates the complex pantheon of deities worshiped in each tradition and examines the rituals, music, and dance of each in a clear, straightforward manner. He also compares and contrasts Cuban practices with those in the African homelands of these religions. While he provides a sound history of Afro-Cuban religions and quotes extensively from scholarly sources, Barnet does not include information on the number of adherents practicing these religions in Cuba today. This will be a useful addition to anthropology and religion collections in academic libraries. Elizabeth Salt, Otterbein Coll. Lib., Westerville, OH Copyright 2001 Reed Business Information, Inc. "Barnet explores the mythology and practices of Afro-Cuban religious movements. He illuminates the complex pantheon of deities worshiped in each tradition and examines the rituals, music, and dance of each in a clear, straightforward manner. He also compares and contrasts Cuban practices with those in the African homelands of these religions." --Library Journal MIGUEL BARNET, director of the Fernando Ortiz Foundation in Havana, is the author of Biography of a Runaway Slave and numerous other books, which have been translated into several languages. Used Book in Good Condition