This book addresses the impact that the Internet and new connective technologies have had on the development of contemporary art over the last two decades. It deals with a wide range of themes: the emergence and key aspects of ‘social media art’, the issue of online identity as a particular theme within artistic practice, the links between digital connectivity and the physical space (telepresence/teleproxemics, augmented reality, geolocation, etc.), forms of property and the digital commons, the critical thematisation developed by cyberfeminist creativity, the transformations in the gaze, and the new ways in which images are generated, circulated and propagated in a digital context articulated by social media. Professor at the University of Cadiz, where he directs the research group “Contemporary Aesthetic Theories”. He is the author of the books La apropiación posmoderna. Arte, práctica apropiacionista y Teoría de la posmodernidad (Fundamentos, 2001), Prácticas artísticas e Internet en la época de las redes sociales (AKAL, 3rd edition 2019), Otro tiempo para el arte. Cuestiones y comentarios sobre el arte actual (Sendemà 2012, 2nd edition 2019) and El ver y las imágenes en el tiempo de Internet (AKAL, “Colección de Estudios Visuales”, 2018), among others. He has contributed to numerous national and international journals, such as Revista de Occidente, Revista Española de Investigaciones Sociológicas REIS, Revista de Filosofía, Estudios visuales, Fibreculture The Journal, EXIT, and the cultural supplement “Cultura s” of the newspaper La Vanguardia, among many other print and digital publications.