NPR “Best Books of 2013” BookPage Best Books of 2013 Bookriot “Best Books of 2013” San Francisco Chronicle Favorite Books of 2013: Francisco Goldman Flavorwire 15 Favorite Novels of 2013 The breakout book from a prizewinning young writer: a breathtaking, suspenseful story of one man’s obsessive search to find the truth of another man’s downfall. Nelson’s life is not turning out the way he hoped. His girlfriend is sleeping with another man, his brother has left their South American country, leaving Nelson to care for their widowed mother, and his acting career can’t seem to get off the ground. That is, until he lands a starring role in a touring revival of The Idiot President , a legendary play by Nelson’s hero, Henry Nunez, leader of the storied guerrilla theater troupe Diciembre. And that’s when the real trouble begins. The tour takes Nelson out of the shelter of the city and across a landscape he’s never seen, which still bears the scars of the civil war. With each performance, Nelson grows closer to his fellow actors, becoming hopelessly entangled in their complicated lives, until, during one memorable performance, a long-buried betrayal surfaces to force the troupe into chaos. Nelson’s fate is slowly revealed through the investigation of the narrator, a young man obsessed with Nelson’s story—and perhaps closer to it than he lets on. In sharp, vivid, and beautiful prose, Alarcón delivers a compulsively readable narrative and a provocative meditation on fate, identity, and the large consequences that can result from even our smallest choices. An Amazon Best Book of the Month, November 2013: A young man, hopelessly in love with his ex-girlfriend, lands a part in a revival of a controversial political drama. He journeys with his childhood hero, the playwright, through tiny towns scattered along the sparsely-populated mountainside. This hardly seems like the normal territory of a thriller but At Night We Walk in Circles delivers suspense to spare with tightly-written narratives, modern phrasing, and crisp character studies by Peruvian-born author Daniel Alarcón. Told through the eyes of a narrator who sprinkles in knowing tidbits about the ultimate fate of the young man, the story builds in momentum while simultaneously taking quiet forays into a world of dashed dreams, complex family obligations, and everyday dilemmas that are relatable even when set in an unnamed, Latin American metropolis or an eerily empty village. At Night We Walk in Circles pointedly delves into universal themes: life as merely a series of performances and small gestures that have inexplicable consequences. Like moths to a flame, it's the desire to blindly follow that will ultimately lead to our downfall. -- Bora McAteer *Starred Review* After the stunning, metropolitan sprawl of Lost City Radio (2007), Alarcón situates his riveting second novel in the backwaters of an unnamed South American nation. For Nelson, an out-of-work actor, it seems as if everyone has moved on: his one-time lover lives with another man, his brother long ago left for the U.S., and he’s stuck at home with his widowed mother. But when the newly revived, controversial theater company Diciembre casts Nelson in a traveling remount of The Idiot President, he joins Patalarga, a founding member, and Henry Nuñez, a playwright imprisoned during the show’s original run. At first, Nelson immerses himself in the world of the play, performing in taverns and city squares, until the tour brings the trio to the hometown of Rogelio, Henry’s former cellmate and confidante. Henry’s past and Nelson’s future converge, setting the stage for a fast-unraveling mystery of role-playing and retribution, told in compelling prose that is smart, subtle, and totally engrossing. Alarcón possesses Alejo Carpentier’s gift for evocative descriptions of anonymous geography, and one sees shades of Manuel Puig in the passages that recount Henry’s incarceration, both of which bode well for this native Peruvian’s bright literary future. --Diego Báez “Wise and engaging…a provocative study of the way war culture ensnares both participant and observer, the warping fascination of violence, and the disfiguring consequences of the roles we play in public…[a] layered, gorgeously nuanced work…the ending is a quiet bomb, as satisfying as it is ambiguous.” — New York Times Book Review "The delicate precision, mounting tension and unfolding tragedy in this masterful book make it difficult to remember the story did not actually take place...Alarcón teaches us, in these pages, that perception and memory are relative. We see what we want to see, we believe what we want to believe. Performance can consume and distort. And time moves differently for all of us." — Chicago Tribune “Alarcón is one of those rare writers getting away with doing exactly what he wants… Like Rachel Kushner’s... The Flamethrowers , this is a story about the initiation of a young artist …[ At Night We Walk in Circles i