Bad Roads

$17.26
by Natl'ya Vorozhbit

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In the darkest recesses of Ukraine, a war is raging. A journalist takes a research trip to the front line. Teenage girls wait for soldiers on benches. A medic mourns her lover killed in action. A heartbreaking, powerful, and bitterly comic account of what it is to be a woman in wartime. "A savage look at the dehumanizing impact of war… swings between matter-of-fact horror and bitter comedy… masterly and woundingly memorable." ― Independent "Powerful... in her relentless focus on conflict’s female victims, Vorozhbit shows herself to be a Ukrainian Sarah Kane." ― Guardian Natal’ya Vorozhbit (aka Natal'ia Vorozhbit) is a leading Ukrainian playwright. Her work includes The Khomenko Family Chronicles (Royal Court and BBC World Service; rehearsed reading at the Royal Court, 2006); The Grain Store (RSC, 2009); Maidan: Voices from the Uprising (Royal Court, 2014); and Bad Roads (Royal Court, 2017). She is the co-founder of the Theatre of the Displaced in Kiev and curator of the Class Act project in Ukraine. Sasha Dugdale is a translator and poet. She has translated the work of many leading contemporary playwrights writing in Russian, including: Bad Roads (Royal Court Theatre, 2017) and The Grain Store (Royal Shakespeare Company, 2009) by Natal'ya Vorozhbit; Playing the Victim (Royal Court and Told By an Idiot, 2003) and Terrorism (Royal Court, 2003) by the Presnyakov Brothers; and Ladybird (Royal Court, 2004), Black Milk (Royal Court, 2003) and Plasticine (Royal Court, 2002) by Vassily Sigarev. She has published three collections of translations of Russian poetry and five collections of her own poetry, most recently Deformations (Carcanet, 2020). In 2016 she won a Forward Prize for her long poem ‘Joy’, and in 2017 she received a SOA Cholmondeley Award for poetry. She has published two collections of translations of Russian poetry and three collections of her own poetry, Notebook (2003), The Estate (2007) and Red House (2011). In 2003 she received an Eric Gregory Award. "I spend the night in an officer’s barracks, where no woman has ever set foot."

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