NYT Bestseller A major motion picture starring Julianne Moore and Ken Watanabe. “Blissfully romantic….A strange, terrific, spellcasting story.” — San Francisco Chronicle “ Bel Canto …should be on the list of every literate music lover. The story is riveting, the participants breathe and feel and are alive, and throughout this elegantly-told novel, music pours forth so splendidly that the reader hears it and is overwhelmed by its beauty.” —Lloyd Moss, WXQR Ann Patchett’s award winning Bel Canto balances themes of love and crisis as disparate characters learn that music is their only common language. As in Patchett’s other novels, including Truth & Beauty  and The Magician’s Assistant , the author’s lyrical prose and lucid imagination make Bel Canto a captivating story of strength and frailty, love and imprisonment, and an inspiring tale of transcendent romance. In an unnamed South American country, a world-renowned soprano sings at a birthday party in honor of a visiting Japanese industrial titan. His hosts hope that Mr. Hosokawa can be persuaded to build a factory in their Third World backwater. Alas, in the opening sequence, just as the accompanist kisses the soprano, a ragtag band of 18 terrorists enters the vice-presidential mansion through the air conditioning ducts. Their quarry is the president, who has unfortunately stayed home to watch a favorite soap opera. And thus, from the beginning, things go awry. Among the hostages are not only Hosokawa and Roxane Coss, the American soprano, but an assortment of Russian, Italian, and French diplomatic types. Reuben Iglesias, the diminutive and gracious vice president, quickly gets sideways of the kidnappers, who have no interest in him whatsoever. Meanwhile, a Swiss Red Cross negotiator named Joachim Messner is roped into service while vacationing. He comes and goes, wrangling over terms and demands, and the days stretch into weeks, the weeks into months. With the omniscience of magic realism, Ann Patchett flits in and out of the hearts and psyches of hostage and terrorist alike, and in doing so reveals a profound, shared humanity. Her voice is suitably lyrical, melodic, full of warmth and compassion. Hearing opera sung live for the first time, a young priest reflects: Never had he thought, never once, that such a woman existed, one who stood so close to God that God's own voice poured from her. How far she must have gone inside herself to call up that voice. It was as if the voice came from the center part of the earth and by the sheer effort and diligence of her will she had pulled it up through the dirt and rock and through the floorboards of the house, up into her feet, where it pulled through her, reaching, lifting, warmed by her, and then out of the white lily of her throat and straight to God in heaven. Joined by no common language except music, the 58 international hostages and their captors forge unexpected bonds. Time stands still, priorities rearrange themselves. Ultimately, of course, something has to give, even in a novel so imbued with the rich imaginative potential of magic realism. But in a fractious world, Bel Canto remains a gentle reminder of the transcendence of beauty and love. --Victoria Jenkins Lucky Mr. Hosokawa. The well-connected Japanese businessman, now in an unnamed South American country on yet another job, is having a very special birthday party. At the home of the country's vice president, opera singer Roxane Cos will be performing for him and his guests. But what's this? Armed men invading the premises? These ragtag revolutionaries are looking for the president and disappointed that he is not there, but that doesn't stop them from holding the party goers hostage. What happens after that was, for this reviewer, a story that failed to ignite. Patchett (The Patron Saint of Liars) generates little tension as she moves her players around the board, and one is disappointed that there is little reflection about the head-on clash of art and life. This book is getting a big promotional pitch, however, so libraries may want to consider. - Barbara Hoffert, "Library Journal" Copyright 2001 Reed Business Information, Inc. An impoverished South American country hosts a birthday extravaganza for a Japanese industrialist in the hope of securing new foreign investment. The lure? An internationally renowned lyric soprano. Indeed, when Roxane Coss sings, even the ragtag terrorists who are about to flood through the air-conditioning vents and take the guests hostage hold their breath, transported by the beauty of her voice. Patchett's tragicomic novel—a fantasia of guns and Puccini and Red Cross negotiations—invokes the glorious, unreliable promises of art, politics, and love. Against this grand backdrop, the smallest gestures bloom with meaning: a pretty governess stitching up the cheek of her employer with her sewing kit; a young terrorist discovering the tyranny of wearing a watch; an exasperated French diplomat risking his