Bawdy, joyous, messy, hysterically funny, and guaranteed to offendregardless of religion, race, national origin, sexual orientation, or profession Between the Bridge and the River is the debut novel by Craig Ferguson, host of CBS's The Late Late Show . Two childhood friends from Scotland and two illegitimate half-brothers from the American South suffer and enjoy all manner of bizarre experiences which, as it turns out, are somehow interconnectedand, surprisingly enough, meaningful. An eclectic cast of characters includes Carl Jung, Fatty Arbuckle, Virgil, Marat, Socrates, and Tony Randall. Love, greed, hope, revenge, organized religion, and Hollywood are alternately tickled and throttled. Impossible to summarize and impossible to stop reading, this is a romantic comic odyssey that actually deliversand rewards. Ferguson is best-known to Americans as host of The Late Late Show , and moviegoers may recognize him as the Glasgow hairdresser in The Big Tease and the pot-puffing lead in Saving Grace . His strange, funny, profane, surreal, and surprisingly moving first novel is about friends since childhood from Glasgow. Fraser meets fame and fortune--well, the Scottish equivalents, at least--as a televangelist but unfortunately has insatiable yens for booze, prostitutes, and . . . knitwear. Meanwhile, George is a bit of a lost soul, who may or may not have a terminal illness. The novel also features illegitimate half-brothers Saul and Leon from the American Deep South and an eclectic cast of historical figures, including Carl Jung. Ferguson pokes good-natured fun at the media, pop culture, reality TV, religion, and, of course, Scotland as the novel jumps gleefully from Glasgow to London to Paris to Miami to Vegas to L.A., and from one character to another, while somehow managing to make weird literary sense. Fond of deranged, slightly warped humor? Try this. June Sawyers Copyright © American Library Association. All rights reserved A gallery of grotesques slogs through the sewers of the entertainment industry toward redemption in this exhilarating debut novel from the host of The Late Late Show . Leading the pack are Fraser, a Scottish "phony TV evangelist... drunken, selfish media prick... gossip and sot" who has been disgraced in a sex scandal; his cancer-stricken boyhood pal, George; vapid sit-com star Leon; and Leon's 300-pound, sexually perverted Svengali brother, Saul. They make their separate but linked ways through a world populated by snake handlers, serial killers, dead-eyed whores and hack studio executives pushing formulaic action films, while they take hallucinatory side trips. The sprawling tale, with plenty of Scottish backstory, casts a jaundiced eye on media debaucheries and petty vanities, throwing in miscellaneous riffs on everything from Starbuck's to escort ads, but Ferguson is particularly sharp-and funny-on Hollywood proper. For every satire of organized religion or a Vegas that's "as glitzy as a trailer park at Christmas," however, he delivers an injunction to "help others" or an ode to Paris in springtime that somehow sounds fresh. The result is a tour de force of cynical humor and poignant reverie, a caustic yet ebullient picaresque that approaches the sacred by way of the profane. Publishers Weekly , starred review Ferguson (host of CBS's The Late Late Show ) takes us on a wild ride in his scintillating debut, a combination caper/morality tale with the barbed comic energy of a Carl Hiaasen novel. We begin in the author's native Scotland. Fraser and George are teenaged buddies, fishing in a canal, when George saves Fraser from the local bully. Fast-forward some 20 years. George is a criminal defense lawyer with a wife (unloved) and a daughter (adored); he has just been diagnosed with terminal lung cancer. Without telling his family, he splits for London, contemplating suicide. Fraser, more of a reprobate, is a cynical evangelist on Scottish television who cannot keep his hands off the ladies. A sex scandal ends his gig at the same time he's invited to a convention of Christian broadcasters in the States. The invitation comes from Ferguson's two other leads, Leon and Saul, offspring of the same mother but different fathers (Sinatra and Peter Lawford, respectively). The well-hung Leon has his father's great voice; fat, physically repellent Saul has the brains, recognizing Leon as his meal ticket. After escaping from the orphanage, they wind up in backwoods Florida, adopted by snake-handling Pentecostalists. Ferguson deftly juggles his three storylines. George, postponing suicide, travels to Paris and falls in love with gorgeous Claudette, the ultimate femme fatale (her six Great Loves have all died); she will help him find his "inner Frenchman." The hard-drinking, whoring Fraser will be mugged in Miami and have a near-death experience. Leon and Saul will make a bundle in Hollywood (Ferguson looks balefully at its shark-infested waters) before scoring big on the religious circui