An electrifying debut novel about art, solitude, family, and faith in a world without it In 1967, the dancer Marta Becket and her husband were traveling through Death Valley Junction when they came across an abandoned theater. Marta decided it was hers. She painted her ideal audience on its walls and danced her own dances until her death five decades later. In the present day, Gia has ended a relationship and taken a leave from her job in film studies at a university. She is sleeping fifteen hours a night and ignoring calls from her mother. In a library archive, she comes across a photo of Marta Becket and decides to write her a letter. Soon Marta magically appears in her home. Gia hopes Marta Becket will guide her out of her despair. But is Marta―the example of her single-minded, solitary life―enough? Through precise, vivid vignettes, Bitter Water Opera follows Gia as she resists the urge to escape into herself and struggles to form a lasting connection to the world. Her search has her reckoning with a set of terrifying charcoal drawings on her garage walls, a corpse in the middle of a pond, a crooked pear sapling, and other mysterious entities before bringing her to Marta’s theater, the Amargosa Opera House. There in the desert, Gia finds one answer. In this brief, astonishing novel, Nicolette Polek describes an individual awakening to faith while exploring our deepest existential questions. How do we look beyond ourselves? Where do words go? What is art for? **A New Yorker Best Book of 2024** **Longlisted for the Center for Fiction First Book Award** “Polek elegantly fashions an ode to small and privately felt moments of beauty, and to art’s capacity to reach through time.” ―The New Yorker “One of the most beautiful books I’ve ever read. Almost every sentence an epiphany. Entrancing prose communicates new depths of anguish and joy. . . . Bitter Water Opera will be passed down from generation to generation, eternally resonant and astonishing.” ―Danielle Chelosky, Hobart “This is not fan mail to the dead so much as a summons to come back to life. . . . [Polek's] vignettes, fine as grains of sand, come together to create an emotional landscape as vast and moving as the Mojave.” ―Kassia Oset, The Rumpus “ Bitter Water Opera is a sensuous banquet that ravishes while leaving you hungry for more. From the smell of ambergris and the taste of French peach pie, to the site of a dilapidated opera house in the process of being resurrected in the barren plains of the Death Valley desert, its glow makes the reader wish it lasted longer, just as it slips through your fingers.” ―Stephen G. Adubato, Interview “Everyone is touched by loneliness, while alone and in company. To bear it, we must find something from beyond to sustain us. This is what Nicolette Polek’s Bitter Water Opera seeks. . . . Polek’s debut novel . . . shows us the mechanics of a mind negotiating a rupture.” ―Hayley J. Clark, The Paris Review “The novel’s prose is sharp and precise, its metaphoric wisdom restrained and careful, its power deep and arresting. One of the great yardsticks for a work of art may be how long it lingers after it’s finished, and Opera simply will not leave; it sparks a lasting perceptual shift. . . . This novel is a lovely, delicate feat, and a must-read.” ―Dashiel Carrera, Los Angeles Review of Books “[ Bitter Water Opera ] asks exciting, original, and urgently relevant questions about the value and role of art. . . . Most unusually for contemporary literary fiction, this novel will take religion seriously.” ―Valerie Stivers, Compact “An addicting debut novella with sentences that come to life and dance on the page like the main women in this book, Bitter Water Opera is a dreamlike journey that delves into art, faith, loneliness, and the creative spirit all in one neat bow-adorned package.” ―G Sullivan, Fountain Bookstore, Electric Literature 's “Best Books of Spring 2024, According to Indie Booksellers” “An enthralling, almost spiritual account, Bitter Water Opera speaks to the desire for self-creation through destruction. Nicolette Polek invites us to crack open a window that exits to the impossible . . . [and] to grapple with the fleetingness and eternity of existence.” ―Rosemary Ho, Columbia Journal of Literary Criticism “Breathtaking sensitivity. . . . A delightfully peculiar meditation on imagination―as maladaptive crutch, creative tool, and steppingstone to peace.” ―Kirkus Reviews “Polek’s achievement is to create a character in a real spiritual crisis, and then guide her out. Opera brings its reader into a nervous and sad mind that has temporarily lost access to the jolts of imagination and impulse that guide art into being. Through Gia’s recovery, Polek suggests a refreshingly simple remedy: the spiritual medicine of looking after your neighbors, tending a garden, spending time with family, and cleaning your house. The answers to the big questions are sm