Since it was first published, Celtic Art has established itself as the standard introduction to a vast field of European artistic endeavor. The authors have continued to keep abreast of discoveries and new interpretations of old material from Britain to Bulgaria, and the fruits of their research and travel are incorporated in this revised edition. Ranging from the Black Sea to the Baltic and from Anatolia to County Armagh, the Megaws investigate the antecedents of Celtic art, the styles and motifs employed, the relationship of the Celts and their art to the ancient civilizations of the Mediterranean, and the magnificent maturity of Celtic art in Britain and Ireland. They include major discoveries that have been made as the result of highway and rail construction and the results of detailed surveys of known sites, such as the recovery of the remarkable stone sculpture from the Glauberg northwest of Frankfurt. Continuing work at old sites such as the saltmining complex of the Durrnberg just south of Salzburg has produced new treasures, and important finds in Central and Eastern Europe and in the British Isles have necessitated a change in emphasis with regard to questions of origin and development. The wealth of pictorial material includes location maps for each period and numerous new illustrations; the comprehensive bibliography has been updated and expanded. 24 color and 448 black-and-white illustrations A comprehensive, well-illustrated survey of everything from gold neckrings to pottery boots, from horned helmets to wooden flagons. -- Observer Has the true Megaw brilliance.... Altogether this book ....is the fullest yet, in English, on Celtic art. -- Antiquity Tells you everything you could possibly want to know....a convincing picture of the constantly changing fabric of ancient Celtic life. -- Art and Auction Ruth Megaw is currently a visiting scholar at Flinders University, Adelaide, Australia; she is also Honorary Research Fellow in the Department of Archaeology, University Glasgow. Vincent Megaw is currently Professor of Visual Arts and Archaeology, Flinders University, Adelaide, Australia, and Visiting Professor in the Department of Archaeology, University of Edinburgh; he is also Honorary Research Fellow in the Department of Archaeology, University of Glasgow.