“One of [the] best” ( Orlando Sentinel ) Lucas Davenport Novels—now with a New Introduction by the Author. Clara Rinker is twenty-eight, beautiful, charmingly southern—and the best hit woman in the business. She just goes about her business, collects her money, and goes home. Her latest hit sounds simple: a defense attorney wants a rival eliminated. No problem—until a witness survives. Clara usually knows how to deal with loose ends: cut them off, one by one, until they're all gone. This time, there’s one loose end that’s hard to shake. Lucas Davenport has no idea of the toll this case is about to take on him. Clara knows his weak spots. She knows how to penetrate them, and how to use them. And when a woman like Clara has the advantage, no one is safe. Praise for John Sandford’s Prey Novels   “Relentlessly swift...genuinely suspenseful...excellent.”— Los Angeles Times   “Sandford is a writer in control of his craft.”— Chicago Sun-Times   “Excellent...compelling...everything works.”— USA Today   “Grip-you-by-the-throat thrills...a hell of a ride.”— Houston Chronicle   “Crackling, page-turning tension...great scary fun.”— The New York Daily News   “Enough pulse-pounding, page-turning excitement to keep you up way past bedtime.” —Minneapolis Star Tribune   “One of the most engaging characters in contemporary fiction.”— Detroit News   “Positively chilling.”— St. Petersburg Times   “Just right for fans of The Silence of the Lambs .”— Booklist   “One of the most horrible villains this side of Hannibal.” —Richmond Times-Dispatch    “Ice-pick chills...excruciatingly tense...a double-pumped roundhouse of a thriller.” —Kirkus Reviews John Sandford is the pseudonym for the Pulitzer Prize–winning journalist John Camp. He is the author of thirty-one Prey novels, most recently Ocean Prey ; four Kidd novels; twelve Virgil Flowers novels; three YA novels coauthored with his wife, Michele Cook; and three stand-alones. One CLARA RINKER. Of the three unluckiest days in Barbara Allen’s life, the first was the day Clara Rinker was raped behind a St. Louis nudie bar called Zanadu, which was located west of the city in a dusty checkerboard of truck terminals, warehouses and light assembly plants. Zanadu, as its chrome-yellow I-70 billboard proclaimed, was E-Z On, E-Z Off. The same was not true of Clara Rinker, despite what Zanadu’s customers thought. Rinker was sixteen when she was raped, a small athletic girl, a dancer, an Ozarks runaway. She had bottle-blond hair that showed darker roots, and a body that looked wonderful in V-necked, red-polka-dotted, thin cotton dresses from Kmart. A body that drew the attention of cowboys, truckers and other men who dreamt of Nashville. Rinker had taken up nude dancing because she could. It was that, fuck for money or go hungry. The rape took place at two o’clock in the morning on an otherwise delightful April night, the kind of night when midwestern kids are allowed to stay out late and play war, when cicadas hum down from their elm-bark hideaways. Rinker had closed the bar that night; she was the last dancer up. Four men were still drinking when she finished. Three were hound-faced long-distance truckers who had nowhere to go but the short beds in their various Kenworths, Freightliners and Peterbilts; and one was a Norwegian exotic-animal dealer drowning the sorrows of a recent mishap involving a box of boa constrictors and thirty-six thousand dollars’ worth of illegal tropical birds. A fifth man, a slope-shouldered gorilla named Dale-Something, had walked out of the bar halfway through Rinker’s last grind. He left behind twelve dollars in crumpled ones and two small sweat rings where his forearms had been propped on the bar. Rinker had worked down the bar-top, stopping for ten seconds in front of each man for what the girls called a crack shot. Dale-Something had gotten the first shot, and he had stood up and walked out as soon as she moved to the next guy. When she was done, Rinker hopped off the end of the bar and headed for the back to get into her street clothes. A few minutes later, the bartender, a University of Missouri wrestler named Rick, knocked on the dressing-room door and said, “Clara? Will you close up the back?” “I’ll get it,” she said, pulling a fuzzy pink tube top over her head, shaking her ass to get it down. Rick respected the dancers’ privacy, which they appreciated; it was purely a psychological thing, since he worked behind the bar, and spent half his night looking up their . . . Anyway, he respected their privacy. When she was dressed, Rinker killed the lights in the dressing room, walked down to the ladies’ room, checked to make sure it was empty, which it always was, and then did the same for the men’s room, which was also empty, except for the ineradicable odor of beer-flavored urine. At the back door, she snapped out the hall lights, released the bolt on the lock and stepped outside into the soft eveni