Hanky-panky on the international art scene is the source of the hilarity and fizz in Peter Mayle's new novel. He flies us back to the south of France (a region some readers of his irresistible best-sellers believe him to have invented), on a wild chase through galleries, homes of prominent collectors, and wickedly delectable restaurants. There are stopovers in the Bahamas and England, and in New York, where that glossiest of magazines, Decorating Quarterly, reflects the cutting-edge trendiness of its editor, Camilla Jameson Porter. (Camilla has recently broken new ground in the world of power lunches by booking two tables on the same day, and shuttling between them, at the city's trendiest restaurant.) It is Camilla who has sent our hero, Andre Kelly, to Cap Ferrat to take glamorous photo-graphs of the houses and treasures of the rich, famous, and fatuous. He happens to have his camera at the ready when he spots a Cézanne being loaded onto a plumber's truck near the home of an absent collector. Odd, thinks Andre. And in no time he's on the trail of a state-of-the-art art scam, chasing Cézanne. It's a joy to follow him and the crowds intent on speeding or foiling his quest--including a beautiful agent; a super-savvy art dealer attracted to the finer things in life, especially if they promise the payoff of a lifetime; an awesome Dutch forger; some outstandingly greedy New York sophisticates; and, invisible in the background, the parade of remarkable chefs whose mouthwatering culinary masterpieces periodically soothe the hero and tantalize the reader of Chasing Cézanne. Our hero, glamorous art photographer Andre Kelly, is on assignment for glamorous DQ Magazine --run by the glamorous Camilla Porter--in Cape Ferrat on the (you guessed it) glamorous Côte d'Azur. Snooping around an ancestral pile for some snaps, by chance he spies Old Claude, the ancient retainer of the immensely wealthy Denoyer family, packing the family Cezanne into a plumbing van. Puzzled, Andre investigates, and the game is afoot. Peter Mayle's latest effort, Chasing Cezanne , is a whodunit that shows good manners and impeccable taste. It takes its characters--graduates of all the best schools, of course--to some of the world's most posh locales. The plot device is high rent, too: a purloined painting worth a cool $30 million. To call this book lightweight seems unfair and boorish besides. There's lots of travel, lots of opulence, lots of opportunities for Mayle to describe Paris and Provence, and all the yummies you'll find in both places. Who can worry about a mystery when the food's so delectable? Photographer Andre Kelly is on assignment in the South of France when he decides to spend his free day in Cap Ferrat visiting some former clients, the Denoyers. As he arrives, he witnesses Claude, the Denoyers' hired man, loading a precious Cezanne into the back of a beat-up plumber's van. Deciding that something is amiss, Andre photographs the event and thus becomes involved in a wild escapade to track down the painting. When he explains the situation to Lucy, his agent and soon-to-be love interest, they decide that they need some expert help and call in Cyrus, a wealthy art dealer, who smells a scam. Add in a scoundrelly art dealer and his daffy lover, an art forger, and a former French Legionnaire, and the trail to the lost Cezanne becomes a comedy of errors. Along the way, there are vibrant descriptions of Paris, Provence, Cap Ferrat, and of course mouth-watering French meals and wine. Part travelog and part art mystery caper, this new tale from Mayle, the author who put Provence on the map, is a thoroughly enjoyable romp through the international art world. Recommended for all fiction collections. -?Robin Nesbitt, Columbus Metropolitan Lib., Ohio Copyright 1997 Reed Business Information, Inc. Mayle gets better with each book, creating even more inventive plots and fashioning even more delectable characters. In his latest wonderful novel, Andre Kelly does substantial freelance photography for Camilla Porter, editor of the splashy New York magazine DQ . Camilla sends Andre to the South of France on a particular assignment. With time to kill, he ventures to a local villa to pay his respects to the owner, but, instead, observes a Cezanne painting being removed from the premises. Curiosity aroused, Andre pursues the story and inadvertently gets himself involved in a complicated art-forgery scam. With the enlisted aid of his assistant back in New York and a sophisticated art dealer only too thrilled to be involved in such a delicious caper, Andre successfully circumvents all attempts to do him bodily harm and finds out exactly what is going on. And who turns out to be up to her exquisitely plucked eyebrows in the art fraud? DQ editor Camilla Porter herself. At once breezy and intelligent, Mayle's novel is absolutely pleasurable reading. Brad Hooper The theft and black-market sale of million-dollar Impressionist artworks fails to animate