A wide-ranging examination of the ways digital technologies are impacting Cuba’s Revolutionary project The triumph of the Cuban Revolution gave the Communist Party a monopoly over both politics and the mass media. However, with the subsequent global proliferation of new information and communication technologies, Cuban citizens have become active participants in the worldwide digital revolution. While the Cuban internet has long been characterized by censorship, high costs, slow speeds, and limited access, this volume argues that since 2013, technological developments have allowed for a fundamental reconfiguration of the cultural, economic, social, and political spheres of the Revolutionary project. The essays in this volume cover various transformations within this new digital revolution, examining both government-enabled paid public web access and creative workarounds that Cubans have designed to independently produce, distribute, and access digital content. Contributors trace how media ventures, entrepreneurship, online marketing, journalism, and cultural e-zines have been developing on the island alongside global technological and geopolitical changes. As Cuba continues to expand internet access and as citizens challenge state policies on the speed, breadth, and freedom of that access, Cuba’s Digital Revolution provides a fascinating example of the impact of technology in authoritarian states and transitional democracies. While the streets of Cuba may still belong to Castro’s Revolution, this volume argues that it is still unclear to whom Cuban cyberspace belongs. Contributors: Larry Press
Edel Lima Sarmiento
Olga Khrustaleva
Alexei Padilla Herrera
Eloy Viera Cañive
Marie Laure Geoffray
Ted A. Henken
Sara Garcia Santamaria
Anne Natvig
Carlos Manuel Rodríguez Arechavaleta
Mireya Márquez-Ramírez, Ph.D.
Abel Somohano Fernández
Rebecca Ogden
Jennifer Cearns
Walfrido Dorta
Paloma Duong A volume in the series Reframing Media, Technology, and Culture in Latin/o America, edited by Héctor Fernández L’Hoeste and Juan Carlos Rodríguez Publication of the paperback edition made possible by a Sustaining the Humanities through the American Rescue Plan grant from the National Endowment for the Humanities. “The most comprehensive English-language compendium on the contemporary aspects of Cuban internet practices, material forms, policies, and histories. . . . An instantly valuable resource.”— NACLA Report on the Americas “Weaves together themes of dispute, repression, social activism, and ideology to illustrate the Cuban society of today where the official narrative silences the alternative discourse and knowledge, and citizens are learning to skillfully use digital media as an agent of change.”— Transmodernity “An important contribution to the study of the Cuban media landscape. Cuba’s Digital Revolution examines changes brought about by recent expansion of Wi-Fi access points through attention to how independent journalism, media distribution, activism, entrepreneurship, and media culture are developing alongside local and global technological and political changes.”—Cristina Venegas, author of Digital Dilemmas: The State, the Individual, and Digital Media in Cuba Ted A. Henken , associate professor of sociology and Latin American studies at Baruch College, City University of New York, is coauthor of Entrepreneurial Cuba: The Changing Policy Landscape and the author of Cuba: A Global Studies Handbook . Sara Garcia Santamaria , associate professor of media and communication at Universitat Ramon Llull and Universitat Jaume I, is coeditor of Media and Governance in Latin America: Towards a Plurality of Voices.