Cultures of the Jews, Volume 1: Mediterranean Origins (National Jewish Book Award)

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by David Biale

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Scattered over much of the world throughout most of their history, are the Jews one people or many? How do they resemble and how do they differ from Jews in other places and times? What have their relationships been to the cultures of their neighbors? To address these and similar questions, some of the finest scholars of our day have contributed their insights to Cultures of the Jews , a winner of the National Jewish Book Award upon its hardcover publication in 2002. Constructing their essays around specific cultural artifacts that were created in the period and locale under study, the contributors describe the cultural interactions among different Jews–from rabbis and scholars to non-elite groups, including women–as well as between Jews and the surrounding non-Jewish world. What they conclude is that although Jews have always had their own autonomous traditions, Jewish identity cannot be considered the fixed product of either ancient ethnic or religious origins. Rather, it has shifted and assumed new forms in response to the cultural environment in which the Jews have lived. Mediterranean Origins , the first volume in Cultures of the Jews , describes the concept of the “People” or “Nation” of Israel that emerges in the Hebrew Bible and the culture of the Israelites in relation to that of neighboring Canaanite groups. It also discusses Jewish cultures in Babylonia, in Palestine during the Greco-Roman and Byzantine periods, and in Arabia during the formative years of Islam. “Lay readers already hooked on Jewish history will be endlessly fascinated, and those seeking a solid state-of-the art introduction to the field will find it here, with ample reference to other, more specialized or canonical works. . . One of the most nourishing Jewish books we've encountered in some time. . . . Wonderful.” — The Jerusalem Report “The writers revel in the new vistas opened by a cultural approach, lavishly providing us, in generous detail, with descriptions of a Jewish world more various than historians have allowed us to glimpse.” — Tikkun “Biale has gathered a stellar international group of scholars around the grand theme of Jewish cultural history. The tastes of many different intellectual palates will find various satisfactions here.” — Jewish Quarterly Review David Biale is the Emanuel Ringelblum Professor of Jewish History at the University of California, Davis. IMAGINING THE BIRTH OF ANCIENT ISRAEL: National Metaphors in the Bible The Bible begins not with the culture of the Hebrews but with the origins of culture as such. The initial concern with the origin of civilization is already evident in the story of the Garden of Eden, where Eve and Adam acquire the first taste of “knowledge,” but it is only in the account of the bold building of the Tower of Babel, East of Eden, that we get a fuller consideration of human culture. Humankind was once one, we are told, and “everyone on earth had the same language and the same words” (Genesis 11:1). But this era of cultural unity does not last for long. One day the people say to each other “Come, let us build us a city, and a tower with its top in the sky, to make a name for ourselves; else we shall be scattered all over the world” (11:4). In response to this challenge against heaven, God shatters the builders’ dream of grandeur, confounds their language, and scatters them in all directions. Culture, however, is not destroyed. Rather, it assumes a different form. From now on its distinguishing mark is diversity and dispersion. From now on, its distinct site becomes the nation. Of the many nations that “branch out” in the vast expanses of the earth, Israel is singled out. In the episode following the Tower of Babel, God demands that Abraham leave his birthplace (Ur of the Chaldeans) and go forth (lekh lekha) to the land shown to him. There, God assures him, “I will make of you a great nation, and I will bless you; I will make your name great” (Genesis 12:2). Abraham’s migration to Canaan offers a new departure. Whereas the sinful homogeneous community of Babel failed, Abraham’s descendants, the people God has chosen from a multitude of peoples, seem to hold much promise, destined as they are (unlike the builders of the Tower) to acquire a “great name.” The primary exile of the first patriarch, his capacity to part from his cultural origins, is construed as an essential rift, a prerequisite for the rise of the nation. Later, in Exodus, the people as a whole will follow a similar route, moving out of Egypt, wandering in the desert, and fashioning the cultural contours of the nation on their way to the Promised Land. Dispersion and exile, however, do not lead to clear-cut borders between cultures. Languages intersect in unexpected ways. The very name “Babel,” which commemorates the primary linguistic splitting, is also a cross-cultural product. Its meaning in Akkadian is presumably “the gate to the gods” (bab iley), but in the course of the biblical story it is

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