Named a Best Book of the Year by The Washington Post and The Salt Lake Tribune Just as she gave voice to the silent women of the Hebrew Bible in The Red Tent , Anita Diamant creates a cast of breathtakingly vivid characters—young women who escaped to Israel from Nazi Europe—in this intensely dramatic novel. Day After Night is based on the extraordinary true story of the October 1945 rescue of more than two hundred prisoners from the Atlit internment camp, a prison for “illegal” immigrants run by the British military near the Mediterranean coast south of Haifa. The story is told through the eyes of four young women at the camp who survived the Holocaust: Shayndel, a Polish Zionist; Leonie, a Parisian beauty; Tedi, a hidden Dutch Jew; and Zorah, a concentration camp survivor. Haunted by unspeakable memories and losses, afraid to hope, the four of them find salvation in the bonds of friendship and shared experience even as they confront the challenge of re-creating themselves in a strange new country. Diamant’s triumphant novel is an unforgettable story of tragedy and redemption that reimagines a singular moment in history with stunning eloquence. Anita Diamant is the bestselling author of the novels The Boston Girl , The Red Tent, Good Harbor, The Last Days of Dogtown , and Day After Night , and the collection of essays, Pitching My Tent. An award-winning journalist whose work appeared in The Boston Globe Magazine and Parenting, and many others, she is the author of six nonfiction guides to contemporary Jewish life. She lives in Massachusetts. Visit her website at AnitaDiamant.com. Day After Night Prologue 1945, August The nightmares made their rounds hours ago. The tossing and whimpering are over. Even the insomniacs have settled down. The twenty restless bodies rest, and faces aged by hunger, grief, and doubt relax to reveal the beauty and the pity of their youth. Not one of the women in Barrack C is twenty-one, but all of them are orphans. Their cheeks press against small, military-issue pillows that smell of disinfectant. Lumpy and flat from long service under heavier heads, they bear no resemblance to the goose-down clouds that many of them enjoyed in childhood. And yet, the girls burrow into them with perfect contentment, embracing them like teddy bears. There were no pillows for them in the other barracks. No one gives a pillow to an animal. The British built Atlit in 1938 to house their own troops. It was one in a group of bases, garages, and storage units set up on the coastal plains a few miles south of Haifa. But at the end of the world war, as European Jews began making their way to the ancestral homeland in violation of international political agreements, the mandate in Palestine became ever messier. Which is how it came to pass that Atlit was turned into a prison or, in the language of command, a “detention center” for refugees without permissory papers. The English arrested thousands as illegal immigrants, sent most of them to Atlit, but quickly set them free, like fish too small to fry. It was a perfectly forgettable compound of wooden barracks and buildings set out in rows on a scant square acre surrounded by weeds and potato fields. But the place offered a grim welcome to the exhausted remnant of the Final Solution, who could barely see past its barbwire fences, three of them, in fact, concentric lines that scrawled a crabbed and painful hieroglyphic across the sky. Not half a mile to the west of Atlit, the Mediterranean breaks against a rocky shore. When the surf is high, you can hear the stones hiss and sigh in the tidal wash. On the eastern horizon, the foothills of the Carmel reach heavenward, in keeping with their name, kerem-el, “the vineyard of God.” Sometimes, the candles of a village are visible in the high distance, but not at this hour. The night is too old for that now. It is cool in the mountains but hot and damp in Atlit. The overhead lights throb and buzz in the moist air, heavy as a blanket. Nothing moves. Even the sentries in the guard towers are snoring, lulled by the stillness and sapped, like their prisoners, by the cumulative weight of the heat. There are no politics in this waning hour of the night, no regret, no delay, no waiting. All of that will return with the sun. The waiting is worse than the heat. Everyone who is locked up in Atlit waits for an answer to the same questions: When will I get out of here? When will the past be over? There are only 170 prisoners in Atlit tonight, and fewer than seventy women in all. It is the same lopsided ratio on the chaotic roads of Poland and Germany, France and Italy; the same in the train stations and the Displaced Persons camps, in queues for water, identification cards, shoes, information. The same quotient, too, in the creaking, leaky boats that secretly ferry survivors into Palestine. There is no mystery to this arithmetic. According to Nazi calculation, males produced more valu