“With dark humor and sharp dialogue, Homes plumbs the depths of everyday American anxieties.” — Time A razor-sharp story collection from the "furiously good" A.M. Homes, author of the forthcoming novel The Unfolding ( Zadie Smith, bestselling author of Swing Time). With her signature humor and compassion, A.M. Homes exposes the heart of an uneasy America in her new collection - exploring our attachments to each other through characters who aren't quite who they hoped to become, though there is no one else they can be. In "A Prize for Every Player," a man is nominated to run for president by the customers of a big box store, while he and his family do their weekly shopping. At a conference on genocide(s) in the title story, old friends rediscover themselves and one another - finding spiritual and physical comfort in ancient traditions. And in "Hello Everybody" and "She Got Away," Homes revisits a Los Angeles family obsessed with the surfaces and frightened of what lives below. In the nearly three decades since her seminal debut collection The Safety of Objects , Homes has been celebrated by readers and critics alike as one of our boldest and most original writers, acclaimed for her psychological accuracy and "satire so close to the truth it's terrifying" (Ali Smith). Her first book since the Women's Prize-winning May We Be Forgiven , Days of Awe is a major new addition to her body of visionary, fearless, outrageously funny work. DAYS OF AWE “A.M. Homes skillfully circles and tugs at the question of what it means to live in flawed, fragile, hungry human bodies . . . DAYS OF AWE is sliced through with Homes’s dark humor . . . one wants to read passages of a Homes story aloud because they are so fine . . . DAYS OF AWE feels like the part of the day when the sun is about to go down and the light is brighter while the shadows are darker. Everything has a sharp edge, is strikingly beautiful and suddenly also a little menacing.” —Ramona Ausubel, The New York Times Book Review “Exuberantly transgressive.” —O, the Oprah Magazine “[Homes] has shown a unique penchant for cracking open the dark heart of human nature — with irreverent wit, devastating empathy and haunting shocks . . . DAYS OF AWE [is] a memorable assortment of new tales about family, love, death, and an unqualified man who somehow stumbles into becoming a populist political candidate.” —Mary Elizabeth Williams, Salon “Homes’s keen ear for speech—surreal as her characters’ conversations often are—lends itself to varying degrees of self-aware misunderstanding, highlighting the complexity of language and the challenges . . . The impossibility of knowing another person completely is one of life’s painful truths, and [this] collection remind us of that—but [it] also shows that there are, at least, tools available to help us try.” — Vanity Fair “Fascinating . . . I consumed these stories exactly like a spectator of a good fight or a neighbor peering through the hedge, and I felt sharply observed in turn. Homes, with her fierce sharp wit, reveals her characters’ deep flaws. No one gets away with anything and the spectacle is delightful.” —Molly Livingston, The Paris Review Daily "With dark humor and sharp dialogue, Homes plumbs the depths of everyday American anxieties through stories about unexpected situations." — Time “In the title story, a Holocaust survivor taps into a theme of the collection when he describes the way people hold the history of previous generations inside them. ‘We carry it with us, not just in our grandmother’s silver,’ he says, ‘but in our bodies, the cells of our hearts.’” — Wall Street Journal MAY WE BE FORGIVEN Winner of the 2013 Women's Prize for Fiction “An entertaining, old-fashioned American story about second chances…A.M. Homes is a writer I’ll pretty much follow anywhere because she’s indeed so smart, it’s scary; yet she’s not without heart… May We Be Forgiven [is] deeply imbued with the kind of It’s A Wonderful Life -type belief in redemption that we Americans will always be suckers for, and rightly so.” —Maureen Corrigan, Fresh Air “Cheever country with a black comedy upgrade…Homes crams a tremendous amount of ambition into May We Be Forgiven , with its dark humor, its careening plot, its sex-strewn suburb and a massive cast of memorable characters...its riskiest content, however, is something different: sentiment.  This is a Tin Man story, in which the zoned-out Harry slowly grows a heart.” —Carolyn Kellogg, The Los Angeles Times “Darkly funny…the moments shared between this ad hoc family are the novel’s most endearing…Homes’ signature trait is a fearless inclination to torment her characters and render their failures, believing that the reader is sophisticated enough – and forgiving enough – to tag along.”  —Katie Arnold-Ratliff, Time Magazine “Homes, whose masterful handling of suburban dystopia merits her own adjective, may have just written her midcareer magnum opus wit