Japan, 1980s: A special police squad is tracking down one of the “afflicted” to recover the “stuff.” Although the operation seems like a drug bust, the “stuff” is actually some kind of text. Death Sentences —a work of science fiction that shares its conceit with the major motion picture The Ring —tells the story of a mysterious surrealist poem, penned in the 1940s, which, through low-tech circulation across time, kills its readers, including Arshile Gorky and Antonin Artaud, before sparking a wave of suicides after its publication in 1980s Japan. Mixing elements of Japanese hard-boiled detective story, horror, and science fiction, the novel ranges across time and space, from the Left Bank of Paris to the planet Mars. Paris, 1948: André Breton anxiously awaits a young poet, Who May. He recalls their earlier encounter in New York City and the mysterious effects of reading Who May’s poem “Other World.” Upon meeting, Who May gives Breton another poem, “Mirror,” an even more unsettling work. Breton shares it with his fellow surrealists. Before Breton can discuss the poem with him, Who May vanishes. Who May contacts Breton about a third poem, “The Gold of Time,” and then slips into a coma and dies (or enters another dimension). Copies of the poem are mailed to all of Who May’s friends—Breton, Gorky, Paul Éluard, Marcel Duchamp, and other famous surrealists and dadaists. Thus begins the “magic poem plague.” Death Sentences is the first novel by the popular and critically acclaimed science fiction author Kawamata Chiaki to be published in English. Released in Japan in 1984 as Genshi-gari (Hunting the magic poems), Death Sentences was a best seller and won the Japan Science Fiction Grand Prize. With echoes of such classic sci-fi works as George Orwell’s 1984 , Ray Bradbury’s Fahrenheit 451 , William Gibson’s Neuromancer , and Philip K. Dick’s Martian Time-Slip, Death Sentences is a fascinating mind-bender with a style all its own. Originally published in 1984 and available in English for the first time, this is the first novel by a noted Japanese science-fiction author. The story, which involves a mysterious poet and his strange, surreal writings, bears more than a passing resemblance to the mind-bending novels of Philip K. Dick (to whom the author has often been compared), and it is definitely not intended for readers who are unwilling to invest a certain amount of mental energy in the process of reading. The book defies easy categorization—it has elements of science fiction, horror, and the detective novel—and its story, which begins in the mid-1980s and then jumps backward about four decades and then forward again, is a bit like a jigsaw puzzle, remaining alluring but unfocused until the bigger picture begins to form. Fans of well-known SF writers like Dick, Gibson, and Bradbury—the author’s poetic prose style is especially reminiscent of Bradbury—should definitely be steered in this book’s direction. --David Pitt "A hard-boiled, sharply surreal fable about the power of the written word." —William Gibson "Deeply rich in atmosphere and idea, Kawamata's first novel to be translated into English was a bestseller in its native Japan upon its publication in 1984. It deftly establishes the power of the central poems by showing their effects on the emotions, minds, bodies, and very consciousnesses of their readers; and proceeds to build living characters, central and minor, for their dangerous potential to impact." — Publishers Weekly Kawamata Chiaki is well known in Japan as the author of science fiction novels. Thomas Lamarre is professor of East Asian studies and communication studies at McGill University. Kazuko Y. Behrens is assistant professor of development psychology at Texas Tech University. Takayuki Tatsumi is professor of English at Keio University.