An Everyman’s Library edition of Jane Austen’s revolutionary and inspiring novel, which is once again a major motion picture. Twenty-one-year-old Emma Woodhouse is comfortably dominating the social order in the village of Highbury, convinced that she has both the understanding and the right to manage other people’s lives—for their own good, of course. Her well-meant interfering centers on the aloof Jane Fairfax, the dangerously attractive Frank Churchill, the foolish if appealing Harriet Smith, and the ambitious young vicar Mr. Elton—and ends with her complacency shattered, her mind awakened to some of life’s more intractable dilemmas, and her happiness assured. Austen’s comic imagination was so deft and beautifully fluent that she could use it to probe the deepest human ironies while setting before us a dazzling gallery of characters—some pretentious or ridiculous, some admirable and moving, all utterly true. “On the face of it, the concern with love is just what makes any Austen novel likeable, accessible, among the friendliest of classics. Where Emma is concerned, it’s also where the puzzles of this teasing novel begin . . . It is in Emma that Austen does most to release herself from the narrow preoccupation with romantic love that her plots seem to hold out to the reader. Emma is a very great novel, and a particularly intriguing one.” –from the Introduction by Marilyn Butler Introduction by Marilyn Butler Though the domain of Jane Austen’s novels was as circumscribed as her life, her caustic wit and keen observation made her the equal of the greatest novelists in any language. Born the seventh child of the rector of Steventon, Hampshire, on December 16, 1775, she was educated mainly at home. At an early age she began writing sketches and satires of popular novels for her family’s entertainment. As a clergyman’s daughter from a well-connected family, she had an ample opportunity to study the habits of the middle class, the gentry, and the aristocracy. At twenty-one, she began a novel called  The First Impressions , an early version of  Pride and Prejudice . In 1801, on her father’s retirement, the family moved to the fashionable resort of Bath. Two years later she sold the first version of  Northanger Abby  to a London publisher, but the first of her novels to appear was  Sense and Sensibility , published at her own expense in 1811. It was followed by  Pride and Prejudice  (1813),  Mansfield Park  (1814), and  Emma  (1815). After her father died in 1805, the family first moved to Southampton then to Chawton Cottage in Hampshire. Despite this relative retirement, Jane Austen was still in touch with a wider world, mainly through her brothers; one had become a very rich country gentleman, another a London banker, and two were naval officers. Though her many novels were published anonymously, she had many early and devoted readers, among them the Prince Regent and Sir Walter Scott. In 1816, in declining health, Austen wrote  Persuasion  and revised  Northanger Abby .  Her last work,  Sandition , was left unfinished at her death on July 18, 1817. She was buried in Winchester Cathedral. Austen’s identity as an author was announced to the world posthumously by her brother Henry, who supervised the publication of  Northanger Abby  and  Persuasion  in 1818. Chapter One EMMA WOODHOUSE, handsome, clever, and rich, with a comfortable home and happy disposition seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her. She was the youngest of the two daughters of a most affectionate, indulgent father; and had, in consequence of her sister's marriage, been mistress of his house from a very early period. Her mother had died too long ago for her to have more than an indistinct remembrance of her caresses; and her place had been supplied by an excellent woman as governess, who had fallen little short of a mother in affection. Sixteen years had Miss Taylor been in Mr. Woodhouse's family, less as a governess than a friend, very fond of both daughters, but particularly of Emma. Between them it was more the intimacy of sisters. Even before Miss Taylor had ceased to hold the nominal office of governess, the mildness of her temper had hardly allowed her to impose any restraint; and the shadow of authority being now long passed away, they had been living together as friend and friend very mutually attached, and Emma doing just what she liked; highly esteeming Miss Taylor's judgment, but directed chiefly by her own. The real evils, indeed, of Emma's situation were the power of having rather too much her own way, and a disposition to think a little too well of herself: these were the disadvantages which threatened alloy to her many enjoyments. The danger, however, was at present so unperceived, that they did not by any means rank as misfortunes with her. Sorrow came-a gentle sorrow-but not at all in the shape of any dis