Everyman and Mankind are morality plays which mark the turn of the medieval period to the early modern, with their focus on the individual. Everyman follows a man's journey towards death and his efforts to secure himself a life thereafter, whilst Mankind shows a man battling with temptation and sin, often with great humour. Both texts are modernised here and edited to the highest standards of scholarship, with full on-page commentaries giving the depth of information and insight associated with all Arden editions. The comprehensive, illustrated introduction argues that the plays signal the birth of the early modern consciousness and puts them in their historic and religious contexts. An account is also given of the staging and performance history of the plays and their critical history and significance. With a wealth of helpful and incisive commentary this is the finest edition of the plays available. “The two-hander of Everyman and Mankind gives us plays more often considered to be 'medieval' than 'early modern'...a very positive step as it allows us the chance, within the body of a coherent series, to read the plays of Shakespeare and his contemporaries as part of the continuum...” ― Shakespeare Bookshop Newsletter (December 2009) “Fascinating reading” ― Times Literary Supplement, June 2010, on the Arden Early Modern Drama series Douglas Bruster is Professor of English at The University of Texas at Austin, USA. He is the author of Drama and the Market in the Age of Shakespeare; Quoting Shakespeare; Shakespeare and the Question of Culture; and, with Robert Weimann, Prologues to Shakespeare's Theatre. Suzanne Gossett (Ph.D. Princeton) is Professor Emerita of English at Loyola University Chicago. She is a General Editor of Arden Early Modern Drama and has recently served as president of the Shakespeare Association of America. Eric Rasmussen is a Professor and Chair of the English department at the University of Nevada, Reno, USA. Gordon McMullan is a professor of English at King's College London, UK. John Jowett is Emeritus Professor at the Shakespeare Institute, University of Birmingham. Used Book in Good Condition