Wall art print on satin-finish heavyweight paper (9 mils, 216 gsm) designed for lasting clarity and detail. A great addition to modern home decor, office walls, creative studios, or gallery-style displays. Printed on eco-friendly paper that is recycled, FSC and SFI certified, and chlorine-free (TCF and ECF compliant). A sustainable choice for those seeking environmentally conscious wall art without compromising material standards. Unframed wall art print sized to fit standard ready-made frames, making it easy to frame and display without custom framing. A practical choice for home, office, or gallery-style decor. Print measures 12x18 inches (31x46 cm), with an image area of 11.5x17.5 inches (30x45 cm) centered on the page. Includes a white border around the artwork for clean framing and easy alignment in standard frames. Printed on demand and packaged using rigid mailers or protective tubes to help prevent damage in transit. Each order is handled with care to support secure delivery and ready-to-frame condition upon arrival. Enjoy a taste of Aloha with these beautiful Master Art Prints by Pacifica Island Art - printed in Maui, Hawaii. This print will look wonderful framed in the home, office or restaurant and is perfect for the Vintage Art Collector.
- ABOUT THE ARTIST -
Carl Erickson - Carl Erickson (1891-1958) American illustrator Carl Oscar August Erickson was born in Joliet, Illinois 1891 to Swedish immigrant parents. He studied at the Chicago Academy of Fine Arts. Although limited to only two years of schooling, his artistic talent attracted the likes of Marshall Field, Lord & Thomas and other well known advertisement accounts in Chicago. In 1914 Eric, as he became known, made his way to New York to continue his advertising illustrations. In 1916 Eric made his debut in Vogue magazine and by 1925 he was a regular artist on the magazine. Eric dominated the field of fashion illustration for over thirty five years, creating fashion illustrations and drawing society portraits. He regularly crossed the Atlantic to draw the fashionable and the rich (he was found sketching at the Venice Lido and in the nightclubs of Montmartre). Eric also worked for the British and French editions of Vogue and lived for a while with his young family in a farmhouse north of Paris before being forced to leave in the face of the German advance in 1939. Back in New York he continued to work for Vogue, became a heavy drinker and slipped into alcoholism. Eric’s friend, the British photographer Norman Parkinson, claimed that sober, Eric was unable to perform to his own exacting standards.