Field Notes from a Catastrophe: Man, Nature, and Climate Change

$15.89
by Elizabeth Kolbert

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An argument for the urgent danger of global warming in a book that is sure to be as influential as Rachel Carson's Silent Spring . Known for her insightful and thought-provoking journalism, New Yorker writer Elizabeth Kolbert now tackles the controversial subject of global warming. Americans have been warned since the late nineteen-seventies that the buildup of carbon dioxide in our atmosphere threatens to melt the polar ice sheets and irreversibly change our climate. With little done since then to alter this dangerous course, now is the moment to salvage our future. By the end of the century, the world will likely be hotter than it's been in the last two million years, and the sweeping consequences of this change will determine the future of life on earth for generations to come. In writing that is both clear and unbiased, Kolbert approaches this monumental problem from every angle. She travels to the Arctic, interviews researchers and environmentalists, explains the science and the studies, draws frightening parallels to lost ancient civilizations, unpacks the politics, and presents the personal tales of those who are being affected most―the people who make their homes near the poles and, in an eerie foreshadowing, are watching their worlds disappear. Growing out of a groundbreaking three-part series for the New Yorker , Field Notes from a Catastrophe brings the environment into the consciousness of the American people and asks what, if anything, can be done, and how we can save our planet. In the 1990s the inhabitants of Shishmaref, an Inupiat village on the Alaskan island of Sarichef, noticed that sea ice was forming later and melting earlier. The change meant that they could not safely hunt seal as they had traditionally and that a protective skirt of ice no longer buffered the small town from destructive storm waves. Shishmaref was being undone by a warming world. To survive, the villagers recently decided to move to the mainland. Soon Shishmaref on Sarichef will be gone. Pithy and powerful, the opening of Elizabeth Kolbert's book about global warming, Field Notes from a Catastrophe, echoes that of another book that also originated as a series of articles in the New Yorker magazine. Rachel Carson's Silent Spring starts in much the same way, with a fable about a town that lived in harmony with its surroundings and that fell silent. The question is, Can Field Notes galvanize a national movement to curb global warming in the same way Silent Spring sparked one to curb the use of pesticides? Silent Spring's success as a transformative force came about because of Carson's scientific authority, the way she shaped her argument, the immediate nature of the threat, and the many movements afoot in American society in 1962. Carson was a scientist, and she had credibility when she described how synthetic chemicals, DDT in particular, affect living things. That authority convinced her readers and withstood critics and attacks by the chemical industry. Carson's writing was direct and her rhetoric carefully chosen, as her biographer Linda Lear and other scholars have noted. Carson appreciated Americans' fears about nuclear fallout: something invisible was contaminating their food. She made clear DDT's similar qualities: "No witchcraft, no enemy action had silenced the rebirth of new life in this stricken world. The people had done it themselves." Concerned that her audience might be solely women--mothers worried about the health of their children--she also spoke directly to hunters, outdoorsmen. She deliberately sought, and got, the widest possible reach. Although Carson was describing something people could not see in their food, she was writing about something they could viscerally understand: they saw pesticides being sprayed. They could connect their health with their surroundings, and that kind of connection can lead to powerful activism. It did after Silent Spring. It did in the late 1970s in Woburn, Mass., as Jonathan Harr describes in A Civil Action, the story of families whose children were dying of leukemia. It did in 1978 at Love Canal in New York State. It continues to do so in communities around the world. If we can see the problem--in our family, in our neighborhood, in the natural world we are intimate with--it is not necessarily easier to tackle, but it becomes more immediate, more mobilizing. Just as important as Carson's credentials, her literary brilliance and the tangibility of her topic was the time at which she was writing. In the 1960s Americans were energetically exercising their freedom of transformation. As Adam Rome, an environmental historian at Pennsylvania State University, has written, the environmental movement that blossomed after Silent Spring owed a great deal to the Democratic agenda set in the mid-1950s, to the growing activism of middle-class women, and to a counterculture raised in fear of the bomb and the planet's end. The power of Silent Spring lay in what people and

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