Enter a world populated by private eyes, gangsters, psychopaths, and femmes fatales, where deception, lust, and betrayal run rampant. This film-by-film photography book on film noir and neo-noir begins with the early genre influencers of German and French silent film, journeys through such seminal works such as Double Indemnity , The Postman Always Rings Twice , and Vertigo , and arrives at the present day via Chinatown , Pulp Fiction , Heat , and the recent cult favorite Drive . Entries include posters, tons of rare stills, cast/crew details, quotes from the films and from critics, and analyses of the films. Film director, film noir scholar, and Taxi Driver screenwriter Paul Schrader provides the introduction to this feast of noir worship. Populated by the genre’s most revered directors, like Hitchcock, Wilder, Welles, Polanski, Mann , and Scorsese , the book also pays homage to its iconic faces, including Mitchum, Bogart, Hayworth, Bergman, Grant, Bacall, Crawford, Nicholson, Pacino , and so many more. “Noir gets the hard-core TASCHEN treatment.” ― Total Film Jürgen Müller holds the chair of Early Modern and Modern Art History at the Technical University of Dresden. He studied Art History at the universities of Bochum, Münster, Pisa, Paris, and Amsterdam, and has worked as an art critic and curator of numerous exhibitions. He is also the editor of TASCHEN’s movies by decade series. Paul Duncan is a film historian whose TASCHEN books include The Star Wars Archives , The James Bond Archives , The Charlie Chaplin Archives , The Godfather Family Album , Taxi Driver , Film Noir , and Horror Cinema , as well as publications on film directors, film genres, and movie stars.