It's Black History month but you wouldn't know it in Tottenham where Revive PLC plan to turn Kwesi's All Black African Party hotbed into luxury flats, and it looks like Kiyi's 'conscious' bookstore will soon go the same way. And then a beautiful visitor shows up in their midst and life goes from bad to worse. Set against the inexorable march of progress in contemporary London, Kwame Kwei-Armah's second play for the National explores race and roots with verve and wit. "Being around too much white folk. I seen the bluest of blackest men get too much exposure bam, they lose their rhythm. Put on a James Brown tune and they start doing the Charleston to ras!" “What is striking about his richly eloquent new play is that it deals with a subject that has specific racial resonances but a wider application: the sacrifice of historical identity to the insatiable demands of brute commerce.” ― Michael Billington, The Guardian “With Fix Up Kwei-Armah is showing signs of greatness. His triumph is to elegantly represent the conflicting elements of Britain's black community through his different characters.” ― John Nathan, Jewish Chronicle “Fix Up 'has glistening dialogue. It has a fascinating, twisting argument about the difficulty for black Britons of retrieving their history from secrets and concealments.'” ― Observer Kwame Kwei-Armah is British actor, playwright, director, singer and broadcaster. In 2018 he was made Artistic Director of the Young Vic Theatre, where he has directed Twelfth Night and Tree. From 2011 to 2018 he was the Artistic Director of Baltimore Center Stage where his directing credits include: Jazz, Marley, One Night in Miami, Amadeus, and Dance of the Holy Ghosts. As a playwright his credits include Tree (Manchester International Festival, Young Vic), One Love (Birmingham Repertory Theatre), Beneatha's Place (Baltimore Center Stage) Elmina's Kitchen, Fix Up, Statement of Regret (National Theatre) Let There Be Love and Seize the Day (Tricycle Theatre). Kwame was an Associate Director of the Donmar Warehouse and has served on the boards of the National Theatre, Tricycle Theatre, and Theatre Communications Group. He is Chair of the 2019 Bruntwood Prize for Playwriting, was Chancellor of the University of the Arts London from 2010 to 2015, and in 2012 was awarded an OBE for Services to Drama.