From Washington Square Park and the Gaslight Café to WNYC Radio and Folkways Records, New York City's cultural, artistic, and commercial assets helped to shape a distinctively urban breeding ground for the folk music revival of the 1950s and 60s. Folk City explores New York's central role in fueling the nationwide craze for folk music in postwar America. It involves the efforts of record company producers and executives, club owners, concert promoters, festival organizers, musicologists, agents and managers, editors and writers - and, of course, musicians and audiences. In Folk City , authors Stephen Petrus and Ron Cohen capture the exuberance of the times and introduce readers to a host of characters who brought a new style to the biggest audience in the history of popular music. Among the savvy New York entrepreneurs committed to promoting folk music were Izzy Young of the Folklore Center, Mike Porco of Gerde's Folk City, and John Hammond of Columbia Records. While these and other businessmen developed commercial networks for musicians, the performance venues provided the artists space to test their mettle. The authors portray Village coffee houses not simply as lively venues but as incubators of a burgeoning counterculture, where artists from diverse backgrounds honed their performance techniques and challenged social conventions. Accessible and engaging, fresh and provocative, rich in anecdotes and primary sources, Folk City is lavishly illustrated with images collected for the accompanying major exhibition at the Museum of the City of New York in 2015. "[The book] has much to offer music researchers and will serve as a key source in helping its readers understand the spaces, ideologies, and connections of the influential midcentury New York folk scene. Thus, whether for general readers, historians, musicologists, or anyone else engaging substantially with the history of American folk revivalism, this book is a welcome addition." -- Brian Jones , Society for American Music Bulletin " Folk City is a magical token back to a clattering, incandescent New York, where Popular Front hootenannies gave way to the fretted hip of Gerde's, the Gaslight, and the Folklore Center. Stephen Petrus and Ronald Cohen have written the best history yet of the city's influential folk music culture, packed with astonishing photos that finally see the light of day." --Sean Wilentz, author of Bob Dylan in America "Yes, dear readers, there was a time not so long ago when urban troubadours sang of flowers more powerful than guns; a time when ideals put to song helped transform a culture. With compelling artistry, Stephen Petrus and Ronald Cohen capture the history behind that special moment and how New York's diverse creative class made it happen." --Thomas Kessner, Distinguished Professor of History, City University of New York Graduate School " Folk City is beautifully written and illustrated, a mesmerizing history of one of the great moments in New York cultural history. The prose fairly sings off the page, and the photos and old poster and song sheets are fascinating. This will make you wish you were there." --Kevin Baker, author of The Big Crowd "This handsome book, which includes rarely seen photographs, reminiscences of participants and a lively narrative . . . The authors do a fine job of presenting the various facets of the folk revival, including its impact on the city and its role in changing the larger culture." -- The New York Times "Fourteen years ago, author David Hajdu crafted a superb, perhaps definitive, portrait of Greenwich Village at the height of the folk-music revival . . . yet in [ FOLK CITY'S ] winningly plain-spoken way, provides a far more comprehensive appreciation of one of the most colourful chapters in American music." -- Maclean's "[A] fresh, colorful, thoroughly illustrated portrait of the scene, from its origins to today . . . [ FOLK CITY ] is particularly compelling in chronicling, from original documents and firsthand testimony, how the critical mass for the folk revival congregated in the city."-- Wall Street Journal "Petrus (curatorial fellow, Museum of the City of New York) and Cohen (emer., history, Indiana Univ. Northwest) have produced a wonderful overview of the influential folk music scene that revolved around New York City's Greenwich Village and Washington Square during the 1950s and 1960s."-- Choice "Reading Folk City is almost like watching a film documentary (of which there have been a few) of that time. But in its balanced yet passionate story it helps one recreate memories, re-think thoughts, laugh at some of the foolishness, and weep for some of the tragedies...[it] will bring you as close as you can get to a very wonderful time that is still re-creating itself in the guitar strummers of today."-- The Bridge "Straightforward and engaging, breezily fresh and poignant, rich in reminiscences and primary as well as secondary sources, Folk City: New York and th