“In Four by Four , Mesa’s sentences are clear as glass, but when you look through you will be terrified by what you see.”—Laura van den Berg, author of The Third Hotel Set entirely at Wybrany College—a school where the wealthy keep their kids safe from the chaos erupting in the cities— Four by Four is a novel of insinuation and gossip, in which the truth about Wybrany’s “program” is always palpable, but never explicit. The mysteries populating the novel open with the disappearance of one of the “special,” scholarship students. As the first part unfolds, it becomes clear that all is not well in Wybrany, and that something more sordid lurks beneath the surface. In the second part—a diary written by an imposter who has infiltrated the school as a substitute teacher—the eerie sense of what’s happening in this space removed from society, becomes even more acute and sinister. An exploration of the relationship between the powerful and powerless—and the repetition of these patterns—Mesa’s “sophisticated nightmare” calls to mind great works of gothic literature (think Shirley Jackson) and social thrillers to create a unique, unsettling view of freedom and how a fear of the outside world can create monsters. “With short, propulsive chapters, Sara Mesa creates an unforgettable gothic landscape, centered on the mysterious and menacing Wybrany College, that twists in ways that unsettle and thrill. In Four by Four , Mesa’s sentences are clear as glass, but when you look through you will be terrified by what you see.” —Laura van den Berg, author of The Third Hotel “The atmospheric unraveling of the mystery will keep you turning the page; the ending will leave you stunned—Mesa’s Four by Four is a tautly written literary thriller that juxtaposes the innocence of children with the fetish of control; a social parable that warns against the silence of oppression and isolation through its disquieting, sparse prose.” —Kelsey Westenberg, Seminary Co-op “Stylistically, Four by Four ’s narrative structure is both dazzling and dizzying, as its perfect pacing only enhances the metastasizing dread and dis-ease. . . . Mesa exposes the thin veneer of venerability to be hiding something menacing and unforgivable—and Four by Four lays it bare for all the world to see.” —Jeremy Garber, Powell’s Books “Very few authors evoke a visceral reaction with prose in the way that Sara Mesa does. . . . Four by Four sounds an alarm on the dangers of power, privilege, and the self-delusions told in order to hide complicity. A work of high gothic art, Four by Four solidifies Mesa as one of the strongest female voices in contemporary Spanish literature.” —Cristina Rodriguez, Deep Vellum Books “Menace pervades Sara Mesa's prose. . . . For the novel's first three-quarters, she lets a sense of wrongness simmer and grow, creating suspense so strong I could barely set the book down. She deftly mixes immersive narration and relentless creepiness with incisive class commentary; by the novel's end, I was appalled both for its characters and for my own world.” —Lily Meyer, NPR “This is a linguistically precise, stylistically spare and emotionally devastating look at the corrosive effect of abuse and power imbalance, perfect for fans of Shirley Jackson and Samanta Schweblin.” —Cindy Pauldine, Shelf Awareness , starred review “Like Buñuel’s Exterminating Angel , or even Bong Joon-ho’s Parasite , the rich are left rotting in a swamp of their own design. . . . Four by Four is an uncomfortably real look into the absurd world of the bourgeoisie. It is so complex and layered that, to reach a full understanding, one may have to read it two or even three times. Not a single character, after all, is what they seem.” —Noelle Mcmanus, The Women’s Review of Books “A meticulously constructed and chilling study of desire and influence.” — Kirkus Reviews “Mesa presents a painful exploration of inequity, cruelty, and the immeasurable cost of belonging.” —Terry Hong, Booklist “Sara Mesa. Don’t forget that name. The finalist for the 30th Premio Herralde de Novela. Read it. Share it. Talk about it. Open the book and begin. You won’t be able to put it down.” —Uxue, Un libro al día “Mesa’s tale seeps into you with cold, Pinter-esque menace. It fills you with increasing dread as you realize that you need to see where the story is headed even as you suspect you are powerless to stop the pages turning towards a dark revelation.” —Merril Speck, Short Stories Bookshop “Sara Mesa has brought a new narrative voice to the scene that is in a position to bear important fruit for the genre of the Spanish novel in the twenty first century. Already in Four by Four an author has been discovered with the capacity for artistic integration of different stylistic registers within the same novel and with a real talent for representing reality. Four by Four is an account of the sinister relationships of power corrupted by fear and latent violence that fee