Free Play is about the inner sources of spontaneous creation. It is about why we create and what we learn when we do. It is about the flow of unhindered creative energy: the joy of making art in all its varied forms.             An international bestseller and beloved classic, Free Play is an inspiring and provocative book, directed toward people in any field who want to contact, honor, and strengthen their own creative powers. It reveals how inspiration arises within us, how that inspiration may be blocked, derailed or obscured, and how finally it can be liberated—how we can be liberated—to speak or sing, write or paint, dance or play, with our own authentic voice. Stephen Nachmanovitch, a pioneer in free improvisation, integrates material from a wide variety of sources among the arts, sciences, and spiritual traditions of humanity, drawing on unusual quotes, amusing and illuminating anecdotes, and original metaphors. The whole enterprise of improvisation in life and art, of recovering free play and awakening creativity, is about being true to ourselves and our visions. Free Play brings us into direct, active contact with boundless creative energies that we may not even know we had. “Nachmanovitch tells it like it is in the most important book on improvisation I’ve yet seen.”  —Keith Jarrett, pianist “A classic . . . altogether vitalizing. The remedy for creative block and existential stuckness.” —Maria Popova   “This is an unusually intense, packed, thought-through book on the most difficult subject in the world: mystic creativity. If you want to be intellectually informed about how people actually create things, then you should read it at least once.”  —Robert Pirsig, author of Zen and the Art of Motorcycle Maintenance “When I first heard Stephen Nachmanovitch in San Francisco and when he later visited my school in England, I was captivated by his being, as were all others. Now having read Free Play , I understand his approach more deeply. Would that Free Play found its way into every school, office, hospital, and factory. It is a most exciting book and a most important one.”  —Yehudi Menuhin, violinist “I am grateful to Stephen Nachmanovitch for sharing his wisdom in these pages. I expect—I hope—to be rereading his book and practicing with it for the rest of my life.” —Ruth Ozeki, author of The Book of Form and Emptiness   “Stephen Nachmanovitch has produced a celebration of human uniqueness. In so doing, he helps us to make better use of our resources of playfulness, ingenuity, and creativity in general. What it amounts to is a guide for getting the most out of whatever is possible.”  —Norman Cousins, author of The Anatomy of an Illness “I absolutely love this book. What a blissful, friendly, fiercely intelligent thing; it expresses truths that I am groping towards in a way that is emboldening and clarifying. I don't think I have ever felt so happy to shout about or recommend a book and I know I will read it again and again.” —Cathy Rentzenbrink, author of Write It All Down   “The mother of all improvisation books.”  —Jeffrey Agrell, University of Iowa   “This book is important not only because it delves into the creative process, but also because Nachmanovitch creates the opportunity for the reader to get in touch with his/her own creative possibilities and abilities. This is an essential book for everyone.” — Harvard Educational Review   “The kit of tools Nachmanovitch lays before us are high-level generalizations, and could be applied equally well to just about any discipline from cooking to comedy. His intent is clearly unitary. He circles like a falcon around the inexpressible. His text is the finger in the haiku, pointing at the moon.”  —Keyboard Magazine   “Free Play is a superb guide for anyone who aspires to create, whatever the medium.”  — New Woman (see description) Stephen Nachmanovitch performs and teaches internationally as an improvisational violinist, and at the intersections of music, dance, theater, and multimedia arts. He is the author of Free Play: Improvisation in Life and Art (Penguin, 1990) . Born in 1950, he studied at Harvard and the University of California, where he earned a Ph.D. in the History of Consciousness for an exploration of William Blake. His mentor was the anthropologist and philosopher Gregory Bateson. He has taught and lectured widely in the United States and abroad on creativity and the spiritual underpinnings of art. In the 1970's he was a pioneer in free improvisation on violin, viola and electric violin. He has presented master classes and workshops at many conservatories and universities, and has had numerous appearances on radio, television, and at music and theater festivals. He has collaborated with other artists in media including music, dance, theater, and film, and has developed programs melding art, music, literature, and computer technology. He has published articles in