Justin Peters is a Harvard-educated professor of British and classic literature who reads Shakespeare to his four-year-old daughter, Giselle. A native of Trinidad and the product of a strict, English-style education, Justin and his focus on the works of “Dead White Men” receive little professional respect at the public Brooklyn college where he teaches. But whatever troubles he might have at work are eclipsed when he realizes his wife, Sally, has begun to pull away from him, both physically and emotionally. Harlem-born Sally Peters, a mother on the verge of turning forty, is a primary school teacher who believes that joy is a learned skill, and that it takes strength to be happy. After a life of tragic losses, Sally thought she had finally found that strength when she met Justin. But now, Sally wants something more. And Justin is angered by her uncertainty about their life and frightened by the thought that perhaps Sally never stopped loving the ex-boyfriend for whom she wrote fierce poems. Is he, Justin wonders, responsible for helping Sally find meaning in her life—a life that seems to him most fortunate? If Sally and Justin’s union is to survive, both must face the crippling echoes of their own pasts before those memories forever cloud and alter their future. Set in a snow-covered Brooklyn, Grace is a thoughtful and lovely meditation on trust, redemption, and family. Elizabeth Nunez’s delicate prose brings the struggles, aches, and tender moments of this contemporary urban love story into vivid focus. From the Hardcover edition. Elizabeth Nunez is the author of four novels, including Discretion , Beyond the Limbo Silence , and Bruised Hibiscus , winner of an American Book Award. She was born in Trinidad and emigrated to the United States after secondary school. She is a Distinguished Professor of English at Medgar Evers College of the City University of New York. The Director of the National Black Writers Conference sponsored by the National Endowment for the Humanities for seventeen years, Nunez also chairs the PEN American Open Book Committee. A recipient of numerous awards and professional honors, Nunez lives in Amityville, New York. From the Hardcover edition. He wakes up one morning tracing letters in his head: the serpentine curl of the S in Sally, the rigid lines of the N in no, shimmering in capital, straight up, straight down, then up again. Capital S, capital N. Words appear before him as in a mirage and then become concrete, the letters sharp and defined. Sally does Not love me. Sight reaches sound and sound his tongue. He says the words aloud: Sally does Not love me. It is a posture of indifference he affects. He does not want to lose her. He is afraid, and this fear feeds his delusion that can devalue her, make her unimportant to him. Sally does not love me, he repeats in his head, and then he adds, Justin does not care. It is a dismal morning in March, the beginning of the month, the beginning of the first year of a new millennium, 2001, and she has come in that proverbial way, like a lion, blowing chilly winds the day before across the city that by night were leaden with snow. In the bleary light of this early dawn, Justin fixes his eyes on the oak tree outside his window, standing stoic, rigid against the wind that has long stripped it bare of leaves and threatens its branches. In the cups they form with the trunk, the snow is thick. Dense. This tree is too big for this too-small city garden in Brooklyn, he thinks, both he and it in the wrong place: it there, he here. In the right climate for an oak tree, but not in this garden. In the right house for him, but not in this marriage. Outside it is quiet, still like the dead. Inside, the scuttle of feet on the hardwood floor beneath him. She is up. Already in the dining room. Five steps, and in the kitchen. He closes his eyes and makes a bet with himself: He will hear the latch on the canister next, the place where she keeps her teas. Today, perhaps, Celestial Awakenings. He cannot be sure. Bounteous Sunlight, Early Sunrise, Heavenly Mornings: her panacea, her simple-minded answer to life’s disturbing questions. But the name of the tea is not part of his bet. His bet is that she will open the green canister, take out a bag of herbal tea, reach in the cupboard for a blue mug with little white flowers, fill the red kettle with water, turn on the fire, and sit with her face to the sun, planning her day while the water boils. Primary colors: the green on the canister, the deep blues and whites on the mug, the red on the kettle, the yellow of her bathrobe. These are the colors that make Sally feel safe. A primary school teacher, she teaches these colors to the children in her class. Perhaps it is the color red she thinks of now, her lesson for the day. Perhaps the red kettle, whistling now, its shrill call piercing the silence, the signal he has been waiting for. His bet. The herbal tea is to keep her calm, to chase away ye