A reimagining of Little Women set in 1942, when the United States is suddenly embroiled in the Second World War, this story, told from each March sister's point of view, is one of grief, love, and self-discovery. In the fall of 1942, the United States is still reeling from the attack on Pearl Harbor. While the US starts sending troops to the front, the March family of Concord, Massachusetts, grieves their own enormous loss: the death of daughter Beth. Under the strain of their grief, Beth's remaining sisters fracture, each going their own way, with Jo nursing her wounds and building planes in Connecticut, Meg holding down the home front with Marmee, and Amy living a secret life as a Red Cross volunteer in London—the same city where one Mr. Theodore Laurence is stationed as an army pilot. Each March sister's point of view is written by a separate author, three in prose and Beth's in verse, still holding the family together from beyond the grave. Woven together, these threads tell a story of finding one's way in a world undergoing catastrophic change. Praise for Great or Nothing : " Poignant, clever, and heartfelt , this story pulls at the complicated tapestry that is family, and finds certain bonds are unbreakable."-- Stacey Lee, NYT bestselling author of Reese's Book Club pick, The Downstairs Girl "Fans of Little Women-- and of WWII narratives--will devour this inventive and touching exploration of possibilities for the world's most beloved siblings ."--L.M. Elliott, author of Under a War-torn Sky and Hamilton and Peggy! A Revolutionary Friendship "The WWII Little Women retelling that made me cry the whole way through . . . I will be shoving Great or Nothing in everyone’s face when it comes out . . .  I am obsessed ."-- Books Before Boys " A must-read for Louisa May Alcott fans and anyone who believes in the power of sisterhood."-- Booklist "Gives these much-loved sisters new energy and a satisfying sense of agency ."-- PW "Readers will feel unique connections to each sister and their motivations, heartbreaks and joys. This is a compelling and tender historical coming-of-age novel with wide appeal . "--BookPage " Refreshingly acerbic ."-- Kirkus Reviews Joy McCullough's debut YA novel Blood Water Paint was named to the National Book Award Longlist and was a finalist for the William C. Morris Debut Award. Her debut middle-grade novel, A Field Guide to Getting Lost, is a Junior Library Guild Selection. She writes books from her home in the Seattle area, where she lives with her husband and two children. Caroline Tung Richmond is the award-winning author of The Only Thing to Fear, The Darkest Hour, and Hungry Hearts. She is also the program director of We Need Diverse Books. A self-proclaimed history nerd and cookie connoisseur, Caroline lives in Maryland with her family. Tess Sharpe lives deep in the backwoods with a pack of dogs. She is the author of many books for children, teens, and adults, including the critically acclaimed YA novel Far From You and the Jurassic World prequel The Evolution of Claire. She is also the coeditor of Toil & Trouble, a feminist anthology about witches. Jessica Spotswood is the author of the fantasy trilogy The Cahill Witch Chronicles and the contemporary novels Wild Swans and The Last Summer of the Garrett Girls. She is the editor of A Tyranny of Petticoats and The Radical Element and coeditor of Toil & Trouble. Jess lives in Washington, DC, where she works for the DC Public Library. Chapter 1  Jo  There was a moment in each day where she forgot.  It never came at the same time; if it had, perhaps then Jo could have prepared for it. But how could you prepare for forgetting, just for a moment, that what once was a quartet had been reduced to a trio?  There was no rhyme or reason to the moments she stumbled. She had found that there was no rhyme or reason to any of this; grief and war, they were intertwined. Bedfellows in the truest sense. The only way to defeat them was the same: battle.  But there was no way to win hers. Jo was Sisyphus, rolling that boulder up the hill, only to lose her grip right before she reached the top. Because there was no way to bring her back.  Beth was gone. Not the way Laurie or Father was gone or how Amy was gone. But really, truly gone.  It still felt so wrong. Like Jo had tripped into a nightmare she couldn’t wrench herself from. Was that why she forgot? Was her mind simply ill prepared for the new world she’d woken to that terrible day?  After, staying home had been unbearable, but she had borne it as long as she could--for Meg’s sake, for Marmee’s, even for Amy’s, though her little sister always seemed to soldier through. But when the attack on Pearl Harbor shocked America, the war that had been knocking at their doors finally burst through in the cruelest, bloodiest way. Grief had no place in the aftermath (grief made its home in her heart, dug a bur