Following his massive—and massively successful— Moby Dick in Pictures , artist Matt Kish has set himself upon an equally impressive, and no less harrowing, task: illustrating each page of Joseph Conrad's masterpiece, Heart of Darkness . Kish’s rich, imaginative drawings and paintings mirror Conrad’s original text and serve to illuminate Marlow’s journey into the heart of the Congo, and into the depths of the human soul. Heart of Darkness is a text ripe for analysis and argument, formally and thematically; it explores matters of imperialism, racism, gender, and the duality of human nature. Kish’s illustrations add another layer, and another voice in the conversation. Heart of Darkness: The Illustrated Edition is an essential edition for fans and students of Conrad’s work, but is, above all, a piece of art all its own. Kish’s introduction lends context to his approach, details his relationship and struggle with Conrad’s work, and illuminates his own creative process. An index in the rear of the book catalogs the sentences and phrases that inspired each of the one hundred original pieces of art. The brilliant mind behind Moby Dick in Pictures is back to illustrate Joseph Conrad’s classic. —Flavorwire Darkness never looked so good : Matt Kish's illustrated edition of Joseph Conrad's classic follows the template he created with Moby-Dick in Pictures . —The National Post For your friend who slept through English class , an illustrated version of a classic: Heart of Darkness , written by Joseph Conrad and illustrated by Matt Kish. —The Airship Two years after his infinitely wonderful illustrations for every page of Moby-Dick , which ranked among the best art and design books of 2011, self-taught Ohio-based artist Matt Kish returns with an equally exquisite edition of Joseph Conrad’s Heart of Darkness (public library). With one haunting acrylic-paint-and-ink illustration for every page, Kish, whose artwork was included in the excellent compendium The Graphic Canon, Vol. 3 , reinvigorates the Conrad classic and its timeless themes of race, gender, power, privilege, and the dualities of the human soul. —Brainpickings Polish author Joseph Conrad is considered one of the greatest English-language novelists, a remarkable achievement considering English was not his first language. Conrad's literary works often featured a nautical setting, reflecting the influences of his early career in the Merchant Navy, and his depictions of the struggles of the human spirit in a cold, indifferent world are best exemplified in such seminal works as Heart of Darkness , Lord Jim , The Secret Agent , Nostromo , and Typhoon . Regarded as a forerunner of modernist literature, Conrad's writing style and characters have influenced such distinguished writers as F. Scott Fitzgerald, Ernest Hemingway, William S. Burroughs, Hunter S. Thompson, and George Orwell, among many others. Many of Conrad's novels have been adapted for film, most notably Heart of Darkness , which served as the inspiration and foundation for Francis Ford Coppola's 1979 film Apocalypse Now . Matt Kish was born in 1969 and lives in the middle of Ohio. After stints as a cafeteria cook, a hospital registrar, a bookstore manager, and an English teacher, he ended up as a librarian. He draws as often as he can, often with whatever he can find. He has tried his hand at 35mm black-and-white photography (with real film and real chemicals), making comics and zines, a bit of collage, and lots of pen and ink. Moby-Dick is his favorite novel. INTRODUCTION Every illustrator, no matter what the project, is confronted with choices. In considering how to approach Heart of Darkness , I had to make a lot of choices, and they were never simple. What struck me while illustrating Moby-Dick in Pictures was just how vast Melville’s novel seemed. It is an enormous book that, to paraphrase Whitman, contains multitudes. It contradicts itself in style and tone in gloriously messy ways and it’s strong enough to carry the weight of the visions of dozens of artists, from Rockwell Kent to Frank Stella to Benton Spruance to Leonard Baskin to, well, me. What I’m saying here is that with Melville, there is room. Conrad is something entirely different, particularly when it comes to Heart of Darkness . There is a terrifying feeling of claustrophobia and a crushing singularity of purpose to the story. It’s almost as if the deeper one reads, the farther down a tunnel one is dragged, all other options and paths dwindling and disappearing, until nothing is left but that awful and brutal encounter with Kurtz and the numbing horror of his ideas. Where Moby-Dick roams far and wide across both land and sea, Heart of Darkness moves in one direction only, and that is downward. While it could never have been an easy task to take a well known piece of classic literature and breathe some different kind of life into it with pictures, the inexorable downward pull of this black