Henry IV sits on a usurped throne, his conscience and his nobles in revolt, while his son Hal is immersed in a self-indulgent life of revelry with the notorious Sir John Falstaff. Shakespeare explores questions of kingship and honor in this masterly mingling of history, comedy, and tragedy. Under the editorial supervision of Jonathan Bate and Eric Rasmussen, two of today’s most accomplished Shakespearean scholars, this Modern Library series incorporates definitive texts and authoritative notes from William Shakespeare: Complete Works . Each play includes an Introduction as well as an overview of Shakespeare’s theatrical career; commentary on past and current productions based on interviews with leading directors, actors, and designers; scene-by-scene analysis; key facts about the work; a chronology of Shakespeare’s life and times; and black-and-white illustrations. Ideal for students, theater professionals, and general readers, these modern and accessible editions from the Royal Shakespeare Company set a new standard in Shakespearean literature for the twenty-first century. Praise for "William Shakespeare: Complete Works: " "A feast of literary and historical information." "--The Wall Street Journal" William Shakespeare was born in Stratford-upon-Avon in April 1564, and his birth is traditionally celebrated on April 23. The facts of his life, known from surviving documents, are sparse. He was one of eight children born to John Shakespeare, a merchant of some standing in his community. William probably went to the King’s New School in Stratford, but he had no university education. In November 1582, at the age of eighteen, he married Anne Hathaway, eight years his senior, who was pregnant with their first child, Susanna. She was born on May 26, 1583. Twins, a boy, Hamnet ( who would die at age eleven), and a girl, Judith, were born in 1585. By 1592 Shakespeare had gone to London working as an actor and already known as a playwright. A rival dramatist, Robert Greene, referred to him as “an upstart crow, beautified with our feathers.” Shakespeare became a principal shareholder and playwright of the successful acting troupe, the Lord Chamberlain’s Men (later under James I, called the King’s Men). In 1599 the Lord Chamberlain’s Men built and occupied the Globe Theater in Southwark near the Thames River. Here many of Shakespeare’s plays were performed by the most famous actors of his time, including Richard Burbage, Will Kempe, and Robert Armin. In addition to his 37 plays, Shakespeare had a hand in others, including Sir Thomas More and The Two Noble Kinsmen , and he wrote poems, including Venus and Adonis and The Rape of Lucrece . His 154 sonnets were published, probably without his authorization, in 1609. In 1611 or 1612 he gave up his lodgings in London and devoted more and more time to retirement in Stratford, though he continued writing such plays as The Tempest and Henry VII until about 1613. He died on April 23 1616, and was buried in Holy Trinity Church, Stratford. No collected edition of his plays was published during his life-time, but in 1623 two members of his acting company, John Heminges and Henry Condell, put together the great collection now called the First Folio. Chapter 1 Act 1 Scene 1 running scene 1 Enter the King, Lord John of Lancaster, [the] Earl of Westmorland, with others KING HENRY IV So shaken as we are, so wan with care, Find we a time for frighted peace to pant, And breathe short-winded accents of new broils To be commenced in strands afar remote. No more the thirsty entrance of this soil Shall daub her lips with her own children’s blood. No more shall trenching war channel her fields, Nor bruise her flow’rets with the armèd hoofs Of hostile paces. Those opposèd eyes, Which, like the meteors of a troubled heaven, All of one nature, of one substance bred, Did lately meet in the intestine shock And furious close of civil butchery Shall now, in mutual well-beseeming ranks, March all one way and be no more opposed Against acquaintance, kindred and allies. The edge of war, like an ill-sheathèd knife, No more shall cut his master. Therefore, friends, As far as to the sepulchre of Christ — Whose soldier now, under whose blessèd cross We are impressèd and engaged to fight — Forthwith a power of English shall we levy, Whose arms were moulded in their mother’s womb To chase these pagans in those holy fields Over whose acres walked those blessèd feet Which fourteen hundred years ago were nailed For our advantage on the bitter cross. But this our purpose is a twelvemonth old, And bootless ’tis to tell you we will go: Therefore we meet not now.— Then let me hear Of you, my gentle cousin Westmorland, What yesternight our council did decree In forwarding this dear expedience. WESTMORLAND My liege, this haste was hot in question, And many limits of the charge set down But yesternight, when all athwart there came A post from Wales loaden with hea