Home. A simple word; a loaded one. You can say it in a whisper; you can say it in a cry. Expressed in the voices of father and daughter, you can hear a visceral longing, in poems and prose, for an ideal place. A place never to be found again. Imagine the shock, imagine the sadness when a daughter discovers her father’s work, the poetry he had never shared with anyone during the last two decades of his life. Six years after that moment of discovery, which happened in her childhood home while mourning for his passing, Uvi Poznansky presents a tender tribute: a collection of poems and prose, half of which is written by her, and half—by her father, the author, poet and artist Zeev Kachel. She has been translating his poems for nearly a year, with careful attention to rhyme and rhythm, in an effort to remain faithful to the spirit of his words. Zeev’s writing is always autobiographical in nature; you can view it as an ongoing diary of his life. Uvi’s writing is rarely so, especially when it comes to her prose. She is a storyteller who delights in conjuring up various figments of her imagination and fleshing them out on paper. She sees herself chasing her characters with a pen, in an attempt to see the world from their point of view, and to capture their voices. But in some of her poems, she offers you a rare glimpse into her most guarded, intensely private moments, yearning for Home. ✮✮✮✮✮ "This radiant book is an exploration of the bond between a daughter and father and the book overflows with some of the most eloquent poetic moments in print. HOME is an invitation, a very personal one, and should not be passed over." Scroll up and get Home now! "This radiant book is an exploration of the bond between a daughter and father and the book overflows with some of the most eloquent poetic moments in print. HOME is an invitation, a very personal one, and should not be passed over." - Grady Harp, Hall of Fame Reviewer - "A fine book for those of us who do enjoy more elegant things in life. The cover art alone is probably worth the price of admission." - Oleg Medvedkov, Top 500 Reviewer - "This is an incredible book of poems and prose written by Ms. Poznansky and her father, Zeek Kachel. Uvi found the latest writings of her father when she went 'home' for Shiva - a and never knew that they existed. She spent one year carefully translating them from Hebrew into English ensuring the translation was as correct as possible." - Boxer Dog Lover in Vermont, Top 500 Reviewer - "I was dazed with the beautiful enormity of emotions as I read through the pages of this eloquent read. The range in which this read has stretched my heart and soul through an abundant of emotions that have enraptured my mind. I found myself laughing with joy for the wonder of greatness felt." - De Ann Townes Jr., Poet - "I have seen no other book like this. It is superb, exquisite, a literary duo that rivals the musical duo of Natalie and Nat King Cole in every way." - Thomas Baker, Top 1000 Reviewer About the cover: When my father passed away, I went back home for the traditional Shiva-a, the seven days period of mourning. Perhaps the grief did something to change the way I viewed things, or else it was sitting in that space--my childhood home--in a spot I rarely sat before, discovering it from a new angle, observing how light penetrated the far reaches of this place, how the furniture signified relationships in the family. I drew what I saw on a napkin; wiped my tears with it, and later discarded it.Coming back to the states, I recreated that sketch from memory. In my new drawing I used a fish-eye perspective. What does that mean? Like regular perspective, the horizontal lines converge into a vantage point in the distance. But here is the difference: the vertical lines are not straight, nor are they parallel. As you look up, vertical lines converge to a point up there, beyond the edge of the paper. You can call it Heaven. And as you look down, the vertical lines converge to a point below, call it Hell. Which makes the entire perspective embrace you, as if you are in the middle of a fish bowl, seeing the world curve around you.And looking though such a perspective, what did I see? An earthquake, really, in the aftermath of my father's death. Books falling off the shelves; the lamp swinging like a pendulum; the little side table (in the front) overturned, so my father will never lay his pen upon it; and instead of the persian rugs that used to adorn this space once upon a time, I floated blank pages on the floor; pages he will never again use for writing. In my next sketch I let the lamp swing even higher into the air. The place has completely tilted, and my father's armchair is ascending above the rest of the furniture. This is the sketch I used for an oil painting called My Father's Armchair, which later became the cover of my poetry book, Home. Sucked in by a force, I'm flying through a tunnel The tunnel of memory that leads me back home The