How Nashville Became Music City, U.S.A. was first published in 2006 and quickly became the go-to reference for those seeking to understand the Nashville music industry, or write about it. Now, Michael Kosser, prolific songwriter and author, returns with an updated and expanded edition, bringing the history of Music Row up to the present, since so much has changed over the last fifteen years. This new edition of How Nashville Became Music City, U.S.A. details the history of the Nashville song and recording industry from the founding of its first serious commercial music publishing company in 1942 to the present. Kosser tells the history of Music Row primarily through the voices of those who made and continue to make that history, including record executives, producers, singers, publishers, songwriters, studio musicians, studio engineers, record promoters, and others responsible for the music and the business, including the ambitious music executives who struggle to find an audience who will buy country records instead of just listening to them on the radio. The result is a book with insight far beyond the usual media stories, with plenty of emotion, humor, and historical accuracy. Kosser traces the growth and cultural changes of Nashville and the adventurous souls who fly to it to be a part of the music. He follows the changes from its hillbilly roots through its “Nashville Sound” quasi-pop days, from the outlaws, the new traditionalists, and the mega-sellers to the recent bro country and the rise of mini-trends. This edition also bears witness to the huge influence of Music Row on pop, folk, rock, and other American music genres. "An excellent history of the country-music business, told by those who know . . . . Insider Kosser uses a medley of first-person recollections to explain how a subculture of Tennessee's capital turned it into the world's country-music capital. It's all recalled, often with sly country wit . . . . It was never about the deals, they remind us: It was always about the music, hoss, the music."—Kirkus Review "It's as if Michael was looking over our shoulder from day one on Music Row, watching us crawl, then walk, then run. Michael Kosser captures the heartbeat of the real Nashville music scene, then and now. What a book!"—Harold Bradley, co-founder of Music Row "I love this book! For the people who weren't around in the beginning, it gives you insight into how the original deals were born that made Nashville what it is. Michael Kosser is a part of Music Row and knows what he's talking about. Wonderful!"—Brenda Lee "At first it was New York and L.A., and in the South, among others, there was The Louisiana Hayride, The Ozark Jubilee, the WSB Barn Dance in Atlanta, and the Grand Ole Opry in Nashville. But Nashville had the recording studios and the magic and became Music City, U.S.A. This book tells who the people were who made the magic happen. Congratulations, Mike—you've nailed it!"—Ray Stevens, recording artist/songwriter ("Everything is Beautiful," "The Streak") "Michael Kosser's book is the most complete documentation that's yet been written on the incredible impact that Music Row has made on American pop and country music."—Mike Curb, chairman of Curb Records "An excellent history of the country-music business, told by those who know . . . . Insider Kosser uses a medley of first-person recollections to explain how a subculture of Tennessee's capital turned it into the world's country-music capital. It's all recalled, often with sly country wit . . . . It was never about the deals, they remind us: It was always about the music, hoss, the music."—Kirkus Review "It's as if Michael was looking over our shoulder from day one on Music Row, watching us crawl, then walk, then run. Michael Kosser captures the heartbeat of the real Nashville music scene, then and now. What a book!"—Harold Bradley, co-founder of Music Row "I love this book! For the people who weren't around in the beginning, it gives you insight into how the original deals were born that made Nashville what it is. Michael Kosser is a part of Music Row and knows what he's talking about. Wonderful!"—Brenda Lee "At first it was New York and L.A., and in the South, among others, there was The Louisiana Hayride, The Ozark Jubilee, the WSB Barn Dance in Atlanta, and the Grand Ole Opry in Nashville. But Nashville had the recording studios and the magic and became Music City, U.S.A. This book tells who the people were who made the magic happen. Congratulations, Mike—you've nailed it!"—Ray Stevens, recording artist/songwriter ("Everything is Beautiful," "The Streak") "Michael Kosser's book is the most complete documentation that's yet been written on the incredible impact that Music Row has made on American pop and country music."—Mike Curb, chairman of Curb Records Michael Kosser came to Nashville to write songs in 1971 and enjoyed a songwriting career that included recordings by country stars like Georg