"Expert and instinctive, like a cool Ed Wilkerson sax solo bouncing with lived rhythms. Morton's consummate poems will echo long after they are read." ― Booklist Selected by Patricia Smith as winner of the 2018 A. Poulin, Jr. Poetry Prize, Matt Morton’s debut poetry collection Improvisation Without Accompaniment embraces uncertainty with a spirit of joyous playfulness. These lyric poems follow the rhythms of life for a young man growing up in a small Texas town. As the speaker wrestles with ruptures within the nuclear family and the loss of his religious beliefs, he journeys toward a deeper self-awareness and discovers a fuller palette of experiences. Over the course of this collection, the changing seasons of small-town Texas life give way to surprise encounters in distant cities. The speaker’s awareness of mortality grows even as he improvises an affirming response to life’s toughest questions. Poignant, searching, and earnestly philosophical, Improvisation Without Accompaniment reaches for meaning within life’s joys and griefs. “What follows are poems of arresting insight and stark assurance. What follows are the agile lines of someone who has mastered the sudden slap, the hushed lyric.” —Patricia Smith,  from the Foreword “What stands in the back of Matt Morton’s beautiful and disturbing  Improvisation Without Accompaniment  is a persistent emotional attachment to literary and religious traditions in which the speaker of these poems intellectually disbelieves. Familial trauma and a foundering romance become occasions for a book-length compelling meditation on our particular moment in history, on the enduring value of person-to-person connection in a world whose ever-accelerating pace of change complicates and deepens the very needs it promises to satisfy.” —Alan Shapiro “Matt Morton must not have gotten the memo that American poetry is in an extinction event. These are poems of immense intelligence and presence as nimble as flames conveying the nearly unbearable intimacy this life demands, threatens and rewards us with.” —Dean Young “What follows are poems of arresting insight and stark assurance. What follows are the agile lines of someone who has mastered the sudden slap, the hushed lyric.” ―Patricia Smith, from the Foreword “What stands in the back of Matt Morton’s beautiful and disturbing Improvisation Without Accompaniment is a persistent emotional attachment to literary and religious traditions in which the speaker of these poems intellectually disbelieves. Familial trauma and a foundering romance become occasions for a book-length compelling meditation on our particular moment in history, on the enduring value of person-to-person connection in a world whose ever-accelerating pace of change complicates and deepens the very needs it promises to satisfy.” ―Alan Shapiro “Matt Morton must not have gotten the memo that American poetry is in an extinction event. These are poems of immense intelligence and presence as nimble as flames conveying the nearly unbearable intimacy this life demands, threatens and rewards us with.” ―Dean Young Matt Morton holds a BA from the University of Texas at Austin and an MFA from the Johns Hopkins University Writing Seminars. His poetry appears in AGNI, Gettysburg Review, Harvard Review, Tin House Online, and elsewhere. His work has received support from the National Endowment for the Arts, the Bread Loaf Writers’ Conference, and the Sewanee Writers’ Conference. He serves as associate editor for 32 Poems and is a Robert B. Toulouse Doctoral Fellow in English at the University of North Texas. He lives in Dallas, TX. Patricia Smith is the author of eight books of poetry, including Incendiary Art;Shoulda Been Jimi Savannah, winner of the Lenore Marshall Prize from the Academy of American Poets; Blood Dazzler, a National Book Award finalist; and Gotta Go, Gotta Flow, a collaboration ion with award-winning Chicago photographer Michael Abramson. Smith is the winner of the 2018 Kingsley Tufts Poetry Award, a four-time individual champion of the National Poetry Slam, and a recipient of fellowships from the Guggenheim Foundation and the National Endowment for the Arts, among other honors. She is a professor at the College of Staten Island and in the MFA program at Sierra Nevada College, as well as an instructor for Cave Canem, the annual VONA residency and in the Vermont College of Fine Arts Post-Graduate Writing Program. Not the Wind, Not the View Two thousand miles away from here, my father is lying in a strange room, being tended to. It is always getting later. No matter if morning is dampening the earth, or burnt orange evening rending itself apart, the doldrums of afternoon stuck in between. This morning, I was sifting through a famous nearly-dead novelist’s letters, wondering why he’d kept them all so neatly filed away. I wasn’t certain, but I had an idea. An idea cannot fix a heart. It cannot douse a house on fire, which earlier I thoug