This important compilation of plays brings together for the very first time:         On the Fields of France, by Joseph Seamon Cotter, Jr.         A Pillar of the Church, by Willis Richardson         The Yellow Peril, by George S. Schuyler         Mother Liked It, by Alvira Hazzard         Son-Boy, by Joseph S. Mitchell         The Girl from Back Home, by Ralf M. Coleman         Black Damp, by John Frederick Matheus         You Mus' Be Bo'n Ag'in, by Andrew M. Burris         Environment, by Mercedes Gilbert         Run Little Chillun, by Francis Hall Johnson         Darker Brother, by Conrad Seiler         Track Thirteen, by Shirley Graham         And by Langston Hughes: Scarlet Sister Barry; Young Black Joe; The Organizer; The Em-Fuehrer Jones. James V. Hatch sets the plays in a historical context as he describes the challenges presented to artists by the political and social climate of the time. The topics of the plays cover the realm of the human experience in styles as wide-ranging as poetry, farce, comedy, tragedy, social realism, and romance. Individual introductions to each play provide essential biographical background on the playwrights. In the continuing rediscovery of writers and works from the Harlem Renaissance, this work serves as essential background for contemporary readers and is a valuable contribution to African American literary and theatrical scholarship. Like Kathy Perkins's Black Female Playwrights: An Anthology of Plays Before 1950 (Indiana Univ., 1989) and Hatch and Hamalian's own The Roots of African American Drama: An Anthology of Early Plays, 1958-1938 (Wayne State Univ., 1991), this is one of several relatively recent works that help make long out-of-print or previously unpublished plays available to contemporary readers. Nine of the 16 plays in Hatch and Hamalian's new collection have not been published before. Playwrights range from the well known (Langston Hughes, George S. Schuyler) to the obscure (Ralf M. Coleman, Andrew M. Burris). Among the best of these plays are Schuyler's The Yellow Peril, Conrad Seiler's Darker Brother, Francis Hall Johnson's folk opera Run Little Chillun, and Shirley Graham's radio drama Track Thirteen. The editors provide a useful introduction, headnotes on each author, and a short bibliography. Of special interest is an appendix containing 20 key articles (written from 1919 to 1928) on black theater. Recommended for all collections interested in drama and/or African American literature.?Louis J. Parascandola, Long Island Univ., Brooklyn Campus Copyright 1996 Reed Business Information, Inc. "Makes long out-of-print or previously unpublished plays available to contemporary readers . . . . The editors provide a useful introduction, headnotes on each author, and a short bibliography. Of special interest is an appendix containing 20 key articles (written from 1919 to 1928) on black theater."― Library Journal "Makes long out-of-print or previously unpublished plays available to contemporary readers . . . . The editors provide a useful introduction, headnotes on each author, and a short bibliography. Of special interest is an appendix containing 20 key articles (written from 1919 to 1928) on black theater."— A valuable contribution to African American literary and theatrical scholarship, this volume is a compilation of sixteen plays written during the Harlem Renaissance, brought together for the first time and set in a historical context. This compilation of sixteen plays written during the Harlem Renaissance brings together for the first time the works of Langston Hughes, George S. Schuyler, Francis Hall Johnson, Shirley Graham, and others. In the introduction, James V. Hatch sets the plays in a historical context as he describes the challenges presented to artists by the political and social climate of the time. The topics of the plays cover the realm of the human experience in styles as wide-ranging as poetry, farce, comedy, tragedy, social realism, and romance. Individual introductions to each play provide essential biographical background on the playwrights. In the continuing rediscovery of writers and works from the Harlem Renaissance, Lost Plays of the Harlem Renaissance, 1920-1940, serves as essential background for contemporary readers and is a valuable contribution to African American literary and theatrical scholarship. Leo Hamalian, a Ph.D. from Columbia University, is a professor of English at The City College of New York. He has written or edited more than one dozen volumes, including As Others See Us and In Search of Eden, and is currently editor of Ararat. James V. Hatch is a professor of English at the City University of New York. A Ph.D. from the University of Iowa, he edited Black Theatre in the U.S.A., 1847-1974 and Black Playwrights, 1825-1977: An Annotated Bibliography. Used Book in Good Condition