One of Barack Obama’s “Favorite Books of the Year”  "Phenomenal" --Justin Torres, author of We the Animals "Brilliant" --Nicole Dennis-Benn, author of Here Comes the Sun “A profound exploration of the true meaning of borders.”  —The New York Times Book Review NAMED ONE OF THE 10 BEST BOOKS OF 2019 in the  New York Times  by Dwight Garner A  New York Times  Notable Book of 2019 In the city of Houston - a sprawling, diverse microcosm of America - the son of a black mother and a Latino father is coming of age. He's working at his family's restaurant, weathering his brother's blows, resenting his older sister's absence. And discovering he likes boys. Around him, others live and thrive and die in Houston's myriad neighborhoods: a young woman whose affair detonates across an apartment complex, a ragtag baseball team, a group of young hustlers, hurricane survivors, a local drug dealer who takes a Guatemalan teen under his wing, a reluctant chupacabra. Bryan Washington's brilliant, viscerally drawn world vibrates with energy, wit, raw power, and the infinite longing of people searching for home. With soulful insight into what makes a community, a family, and a life, Lot explores trust and love in all its unsparing and unsteady forms. Praise for Lot “Washington’s subtle, dynamic and flexible stories play out across [Houston’s] sprawling and multiethnic neighborhoods… An alert and often comic observer of the world… Washington cracks open a vibrant, polyglot side of Houston about which few outsiders are aware... [T]here is a fair amount of joy in Washington’s stories… An underthrob of emotion beats inside them. He’s confident enough not to force the action. The stories feel loose, their cellular juices free to flow." — Dwight Garner, New York Times “This is a story collection that feels like a novel—not because the characters return throughout the book, but because Washington’s astute world-building creates an ever widening scope of Houston that imprints itself on the mind and the psyche. He has such an incredible skill at texturizing people and their histories through each story that the two elements feel  consequential  to each other. It’s a treat and an inspiration to witness."  —Ocean Vuong, GQ “[S]tunning…  Lot  paints an unforgettable picture of Houston and the people who call it home.... It's hard to overstate what an accomplishment  Lot  is.... Washington does a brilliant job making the city come to life in all its imperfect glory. His book is an instant classic of Texas literature, but it's more than that — it's a stunning work of art from a young writer with immense talent and a rare sense of compassion, and one of the strongest literary debuts in several years.”  — NPR "[F]unny, sad, wise & very alive in the best way."  —Curtis Sittenfeld  (Twitter) “Audacious... A profound exploration of the true meaning of borders, written very much for and about our current cultural moment….Washington is a one-man border-eradicating crew.... There’s a knowing grin of local familiarity here, yet Washington also manages to present this melancholy, jolly story in the voice of a collective 'we' that renders the collection universal.” — Luis Alberto Urrea,  The New York Times Book Review “This eagerly awaited short-story collection, excerpted in  The New Yorker  to much fanfare, depicts its author’s hometown of Houston with empathy, tragedy, and exceptional specificity.” — Entertainment Weekly “Washington’s debut reads like a love letter to Houston.” — New York Times “ Lot  is Bryan Washington's debut book, and like...where has he been my whole life?! This collection of stories—all of which take place in Houston—is absolutely gut-wrenching and powerful, and will immediately transport you out of whatever bubble you're living in.” — Cosmopolitan “Bryan Washington makes his already much-lauded debut with  Lot , a collection of extraordinary short stories set in and across the city of Houston that thrum with vitality and authenticity and are peopled with characters yearning for connection.” — Southern Living "A dynamic portrait of Houston and the people who live there." — Time " Lot  spills over with life — funny, tender, and profane.... Washington takes characters often consigned to the literary margins and drags them to the center — not as exotic objects of curiosity but as whole human beings, messy and defiant and drawn in full, vibrant color." — Entertainment Weekly "A technicolor portrait of the city, revealing both its seediness and its enchantment.  Lot 's great gift is bringing into the light those who live in the shadows." — O , the Oprah Magazine " T he kind of stories I am always longing to read. I love the urgency, honesty, and vitality of Washington’s voice. I love these characters for where they’re from, and where they’re going, what they know, and what they reveal about trouble and love."  — Justin Torres, author of We the Animals "A brilliant display of raw