In a small town called Dundee on the coast of Maine, an old woman named Hannah Gray begins her story: "Somebody said ‘true love is like ghosts, which everyone talks about, and few have seen.’ I’ve seen both, and I don’t know how to tell you which is worse." Hannah has decided, finally, to leave a record of the passionate and anguished long-ago summer in Dundee when she met Conary Crocker, the town bad boy and the love of her life. First love often brings astonishment, joy and frustration, but theirs is somehow also mixed with something frightening. Hannah discovers, as Conary and others in the town soon suspect, that there is a very unquiet and angry spirit inhabiting the house that Hannah’s stepmother has rented for the summer. This spare, piercing and unforgettable novel bridges two centuries and two intense love stories as Hannah and Conary’s fate is interwoven with the tale of a marriage that took place in Dundee a hundred years earlier. Hannah says "I don't suppose you have to believe in ghosts to know that we are all haunted, all of us, by things we can see and feel and guess at, and many more things that we can’t." But she knows that ghosts are utterly real as well as metaphoric, and is haunted by the sense that if she could have learned who this ghost was, and what it wanted, it might have made a difference. Ghosts haunt places where they have been deeply happy or intensely bitter in life. But this one’s places have been disturbed. The house where it is seen was no one’s home; it was first a schoolhouse, and originally stood not in Dundee but in an island village now abandoned and lost. What happened in that place, to a family trapped in a murderous pattern that seems to echo eerily through time, becomes the question that haunts Hannah and Conary and will keep you guessing until the last chilling page. More Than You Know is a haunting novel that bridges two centuries, two mother-daughter relationships, and two tragic love stories. Hannah has a passionate and painful story of true love and loss: the story of a ghost that appeared in her life, and in the life of Conary Crocker, the wild and appealing boy who loved her. Interwoven with their love story is a story of a marriage that took place in Dundee a hundred years earlier. As the parallels and differences between the two families are revealed, the reader comes to understand that someone in the nineteenth-century story has become the very unquiet soul haunting the twentieth. But not until the end do we learn (as Hannah never can) what force of mischance and personality has led to so much damage, and no one knows if such damage is ever at an end. "Beth Gutcheon is one of the elect. One of those few novelists who write truthfully and movingly about everything life offers."--Susan Isaacs More Than You Know is a haunting novel that bridges two centuries, two mother-daughter relationships, and two tragic love stories. In a small town called Dundee on the coast of Maine, an old woman named Hannah Gray begins her story by saying "Somebody said 'true love is like ghosts, which everyone talks about, and few have seen.' I've seen both, and I don't know how to tell you which is worse." Hannah has a passionate and painful story of true love and loss: the story of a ghost that appeared in her life, and in the life of Conary Crocker, the wild and appealing boy who loved her. Interwoven with their love story is a story of a marriage that took place in Dundee a hundred years earlier. As the parallels and differences between the two families are revealed, the reader comes to understand that someone in the nineteenth-century story has become the very unquiet soul haunting the twentieth. But not until the end do we learn (as Hannah never can) what force of mischance and personality has led to so much damage, and no one knows if such damage is ever at an end. "Beth Gutcheon is one of the elect. One of those few novelists who write truthfully and movingly about everything life offers."--Susan Isaacs YA-Elderly Hannah Gray narrates this enthralling tale of events that occurred in her 17th summer when she accompanied her grim stepmother to a small village on the Maine coast. Their rented cottage was a converted schoolhouse that had been brought to the mainland from a nearby island. Hannah sees visions of a tormented, ghostlike figure in the house and she hears mysterious sounds emanating from the upper-floor rooms. She learns that a young woman was accused, tried, and acquitted of killing her father there 75 years earlier. Alternating chapters tell the sad story of Claris Osgood, the lonely daughter of a happy, talented, and prosperous family in the village in the 1800s. In search of independence, she insists on marrying a quiet, brooding man, and they move out to the island. Misfortune strikes Claris's family as they struggle in silent combat among themselves. While Hannah is trying to avoid spending time with her dour, disapproving stepmother, she roams the villag