Oragean Modernism: A lost literary movement, 1924-1953

$10.00
by Jon Woodson

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Jon Woodson’s Oragean Modernism: a lost literary movement, 1924-1953 (2013) is the sequel to his path-breaking intervention in Harlem Renaissance studies, To Make a New Race: Gurdjieff, Toomer, and the Harlem Renaissance (1999). Beginning with A Critical Analysis of the Poetry of Melvin B. Tolson (1979), Woodson has investigated complex modernist texts by African American writers, searching for the key to their contradictions, enigmas, and spellbinding literary mastery. Widening the scope of his inquiry to include Lost Generation authors, Woodson has revealed an unprecedented conspiracy of writers, editors, publishers, artists, intellectuals, and technocrats —all united in a secret plan to change the course of world history in order to circumvent a global disaster. Fortified by belief in their superhumanity, the Oragean Modernists were convinced that only they could redirect the fate of the Earth. Writing with dynamic intensity, they produced a vast body of esoteric literature to disseminate their message to their contemporaries, and to future generations—should they fail. Comprising many popular and canonical literary works, the Oragean Modernist writings are nevertheless some of the most controversial and difficult literary works of the 1920s and 1930s. For the first time, Woodson’s iconoclastic study places these works in a context that gathers them into a narrative that is daring, sweeping, and intellectually electrifying.  This study examines the attempt by esoteric writers to intervene massively in American history by inserting esoteric teachings into popular literary works and by covertly influencing left-wing organizations.  The ideas behind their conspiracy are so shocking that I like to refer to their historical intervention as "the real Da Vinci code." "This is the best scan of what was going on in those crucial years, 1924-1953. Your book is a major contribution to the cultural, intellectual, and spiritual history of the Harlem Renaissance and all the wells it drew from." Paul Beekman Taylor Gurdjieff Historian

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