This stunning wall art is crafted on heavyweight tin metal, 0.40 mil thick, with a matte finish that adds timeless appeal. Durable and high-quality, it reduces glare for optimal viewing from any angle, making it a cherished addition to your decor. Perfect for creating a focal point in any room, this piece is designed to last. Our prints use premium UV fade-resistant pigmented inks that ensure lasting vibrancy and durability. These archival-quality inks are designed to resist fading, providing a print permanence duration that keeps your artwork looking as stunning as the day it was printed. Ideal for preserving the beauty and integrity of your fine art prints, these inks are perfect for collectors and enthusiasts who value long-lasting quality in their art pieces. This artwork comes with four pre-drilled holes, making mounting effortless. Additionally, the design features hazard-free rounded edges for enhanced safety, ensuring a smooth and worry-free installation experience. Perfect for quickly and safely adding a touch of elegance to any space without the hassle of complicated mounting procedures. Print Size: 8 x 12 inches (20 x 31 cm) Overall Size - This versatile size is perfect for framing, fitting seamlessly into standard frames, and enhancing the beauty of any space, whether at home, in the office, or in a gallery setting. The dimensions offer a balanced proportion, making it an excellent choice for both portrait and landscape orientations. Each print is carefully crafted on demand and then meticulously packaged in sturdy cardboard mailers or tubes to ensure it arrives in perfect condition, ready to display. Enjoy a taste of Aloha with these vintage-style Metal Art Tin Signs. They will perfectly accent any kitchen, home, Tiki bar, pub, game room, office or garage.
- ABOUT THE ARTIST -
Mario Borgoni - MARIO BORGONI (1869-1936) was a young Italian artist from Pesaro (on the eastern coast of Italy) and studied at the Neapolitan Art Institute, where he later taught Ornament for many years, was an early practitioner of the fresh new style. As his pairs at the then revolutionary Italian Liberty Movement he had such gifted graphic artists as Giovanni Mataloni and, especially, the German immigrant Adolfo Hohenstein. Around 1900 he started freelancing for the Neapolitan printer Richter & C, becoming its artistic director around 1906. In his posters for Richter, Borgoni often used a particular Liberty design solution by which he separated the image in two parts: i) a sort of dark cursive frame in the foreground, that often included the lettering and, at times, an observer a scene as viewed from the window thus formed. That style, as applied to hotel labels by him or other artists under his direction, became a sort of trademark of Richter & C that was widely imitated and upon which rested the company's worldwide success as a supplier of labels to the hotel trade. Mario Borgoni made a career as a bona-fide artist and painter-decorator, but experts say that his art lacks depth. Whatever they may mean by that, it is undeniable that he was a superior draughtsman of the human figure and is justly remembered for his sensuous treatment of women in some of his best poster work. He has probably designed many labels early in his career but soon he concentrated on posters, some of which were reduced for use as labels. These often carry his monogram (the letters 'Mbi' in a circle).