Beneath the unassuming surface of a progressive women’s college lurks a world of intellectual pride and pomposity awaiting devastation by the pens of two brilliant and appalling wits. Randall Jarrell’s classic novel was originally published to overwhelming critical acclaim in 1954, forging a new standard for campus satire—and instantly yielding comparisons to Dorothy Parker’s razor-sharp barbs. Like his fictional nemesis, Jarrell cuts through the earnest conversations at Benton College—mischievously, but with mischief nowhere more wicked than when crusading against the vitriolic heroine herself. “A most literate account of a group of most literate people by a writer of power. . . . A delight of true understanding.”—Wallace Stevens “I’m greatly impressed by the real fun, the incisive satire, the closeness of observation, and in the end by a kind of sympathy and human warmth. It’s a remarkable book.”—Robert Penn Warren “Move over Dorothy Parker. Pictures . . . is less a novel than a series of poisonous portraits, set pieces, and endlessly quotable put-downs. Read it less for plot than sharp satire, Jarrell’s forte.”—Mary Welp “One of the wittiest books of modern times.”— New York Times “[T]he father of the modern campus novel, and the wittiest of them all. Extraordinary to think that ‘political correctness’ was so deliciously dissected 50 years ago.”—Noel Malcolm, Sunday Telegraph “A sustained exhibition of wit in the great tradition. . . . Immensely and very devastatingly shrewd.”—Edmund Fuller, Saturday Review “[A] work of fiction, and a dizzying and brilliant work of social and literary criticism. Not only ‘a unique and serious joke-book,’ as Lowell called it, but also a meditation made up of epigrams.”—Michael Wood "[T]he father of the modern campus novel, and the wittiest of them all. Extraordinary to think that 'political correctness' was so deliciously dissected 50 years ago." -- Noel Malcolm ― Sunday Telegraph "I can open it anywhere and it will make me laugh. We recovering professors owe him an enormous debt for his merciless treatment of academia." -- Donna Leon ― New York Times Book Review "One of the wittiest books of modern times." -- Orville Prescott ― New York Times “I’m greatly impressed by the real fun, the incisive satire, the closeness of observation, and in the end by a kind of sympathy and human warmth. It’s a remarkable book.” -- Robert Penn Warren “[An] exquisite, unerring comedy of manners. . . . [P]erhaps the funniest book I have ever read.” -- Cathleen Schine ― New York Review of Books "Mr. Jarrell is on the side of the angels. His is a divine meanness, and he exposes his female writing devil punitively, matching her stream of poinsonous wisecracks with a series of coruscating cracks of his own worthy of Dorothy Parker at her most hilarious and deadly." -- Francis Steegmuller, ― New York Times Book Review “[A] work of fiction, and a dizzying and brilliant work of social and literary criticism. Not only ‘a unique and serious joke-book,’ as Lowell called it, but also a meditation made up of epigrams.” -- Michael Wood Move over Dorothy Parker. 'Pictures' . . . is less a novel than a series of poisonous portraits, set pieces, and endlessly quotable put-downs. Read it less for plot than sharp satire, Jarrell's forte." -- Mary Welp “A sustained exhibition of wit in the great tradition. . . . Immensely and very devastatingly shrewd.” -- Edmund Fuller ― Saturday Review “A most literate account of a group of most literate people by a writer of power. . . . A delight of true understanding.” -- Wallace Stevens Randall Jarrell (1914–1965) was the author of six volumes of poetry and the recipient of the National Book Award for Poetry in 1961. Pictures from an Institution is his only novel. Pictures from an Institution A Comedy By Randall Jarrell The University of Chicago Press Copyright © 1954 Randall Jarrell All rights reserved. ISBN: 978-0-226-39375-9 Contents 1. The President, Mrs., and Derek Robbins, 2. The Whittakers and Gertrude, 3. Miss Batterson and Benton, 4. Constance and the Rosenbaums, 5. Gertrude and Sidney, 6. Art Night, 7. They All Go, CHAPTER 1 The President, Mrs., AND Derek Robbins 1. HALF THE campus was designed by Bottom the Weaver, half by Ludwig Mies van der Rohe; Benton had been endowed with one to begin with, and had smiled and sweated and spoken for the other. A visitor looked under black beams, through leaded casements (past apple boughs, past box, past chairs like bath-tubs on broomsticks) to a lawn ornamented with one of the statues of David Smith; in the months since the figure had been put in its place a shrike had deserted for it a neighboring thorn tree, and an archer had skinned her leg against its farthest spike. On the table in the President's waiting-room there were copies of Town and Country , the Journal of the History of Ideas , and a small magazine—a little mag