The Metamorphoses , written by the Roman poet Ovid, has fascinated readers ever since it was written in the first century CE, and here Celia M. Campbell offers a bold new interpretive approach. Reasserting the significance of the ancient hymnic tradition, she argues that the first pentad of Ovid’s Metamorphoses draws a programmatic strain of influence from hymns to the gods, in particular conversation—and competition—with the work of the Alexandrian poet Callimachus, a favored source of inspiration to Augustan writers. She suggests that Ovid read Callimachus’ six hymns as a self-conscious set—and reading the first five books of the Metamorphoses through Callimachus’ hymnic collection allows us to pierce the occasionally opaque and seemingly idiosyncratic mythology Ovid constructs. Through careful, innovative close readings, Campbell illustrates that Callimachus and the hymnic tradition provide a kind of interpretative key to unlocking the dynamic landscape of divine power in Ovid’s poetic cosmos. “The great achievement of this thought-provoking and challenging book is to make the reader go back to these poets and read them again with fresh eyes and renewed pleasure.” ― Classics for All “[A] challenging and inspired study.” ― Choice Reviews “This erudite study offers an elegant demonstration of Ovid’s debts to the classical hymnic tradition, especially Callimachus’ collection, in the early books of his Metamorphoses . Highly recommended.” -- Alison Keith, author of Virgil “Campbell effortlessly and playfully handles an impressive array of critical tools to argue most convincingly that Ovid’s Metamorphoses is a hymn to divine appropriation. The analysis is pressed into exhaustive detail and in her brilliant readings, Campbell displays a sustained ingenuity that is well matched to the endlessly inventive and cunningly allusive Ovid.” -- Ioannis Ziogas, author of Law and Love in Ovid: Courting Justice in the Age of Augustus Celia M. Campbell is an assistant professor of classics at Emory University.