New essays providing fresh insights into the great 20th-century American poet Lowell, his writings, and his struggles. Robert Lowell (1917-1977) holds a place of unchallenged prominence in the poetic pantheon of the twentieth-century United States. He is an essential focal point for understanding the connection between poetry and American history,social justice, and personal identity. A recent spate of publications both by and about him, as well as allusions to him in the work of major American poets such as Wanda Coleman and Claudia Rankine, attest to his continued relevance. In March 2017, leading Lowell scholars from Europe and America gathered at the University of Fribourg, Switzerland in commemoration of his 100th birthday. The essays deriving from the conference and presented here aftercareful revision reveal new aspects of Lowell: for instance, the poet's influence on his peers, discussed by Thomas Travisano, the biographer of Elizabeth Bishop; or echoes of Milton in Lowell's work, discussed by Saskia Hamilton, editor of the forthcoming Dolphin Letters between Lowell and Elizabeth Hardwick. Other essays examine Lowell's struggles with bipolar illness, with marriage, and with money; his economic views and his early personality issues with respect to his poetic production; his extended sojourn in Amsterdam; and his special relationship with Ireland. Several essays focus on his 1961 volume Imitations , his major poetic engagement with the European tradition, unjustly neglected in the US. The essays will appeal to the wide audience that Lowell scholarship continues to command. Contributors: Steven Gould Axelrod, Massimo Bacigalupo, Philip Coleman, Ian D. Copestake, Astrid Franke, Jo Gill, Saskia Hamilton, Frank J. Kearful, Grzegorz Kosc, Diederik Oostdijk, Francesco Rognoni, Thomas Travisano, Boris Vejdovsky. Thomas Austenfeld is Professor of American Literature at the University of Fribourg. In using new forms of critical appreciation to revisit Lowell's oeuvre, the authors of these essays regularly reaffirm his status as a unique talent who appreciated the ambiguity of living and challenged the ability of language to represent the subtleties of existence. ...The collection should inspire both students and teachers to fall in love with the big gun from Boston once more. ― Irish Journal of American Studies Robert Lowell in a New Century suggests a new, capacious view of this New England poet and of postwar American poetry. ― New England Quarterly Contributors: Steven Axelrod, Massimo Bacigalupo, Philip Coleman, Ian Copestake, Astrid Franke, Joanna Gill, Saskia Hamilton, Frank Kearful, Grzegorz Kosc, Diederik Oostdijk, Viorica Patea, Francesco Rognoni, Tom Travisano, Boris Vejdovsky. Thomas Austenfeld is Professor of American Literature at the University of Fribourg.