In Satanaeon , Jorjani takes the subject of UFO (UAP) Disclosure and its connection to psychic phenomena and the paranormal in general as his point of departure, arguing that what is at stake is far more apocalyptic than any revelation of ET contact. Rather, Jorjani contends that on the other side of the “phenomenon” is a diabolical intelligence that manages a simulacrum in which we are ensconced. Moreover, he thinks that we are about to come up against the computational limit of this system, because information is interchangeable with mass and energy, and we are about to reach a critical mass of information that will catastrophically exert the same kinds of gravitational forces on Earth that “dark matter” does on galaxies. Ultimately, Jorjani sees this “information catastrophe” as part of a cyclical harvest with an evolutionary purpose, serving the aims of a Cosmic Trickster, namely the Aeon Satana, who is trying to sustain life, foster creativity, and overcome entropy. Her Magic Theater of Cruelty is an ordeal intended to initiate and identify Promethean spirits strong enough to join her as companions in a process of co-creation and enduring cosmic evolution. Ranging from Heraclitus and Kafka to Hegel and Nietzsche, Jorjani strives to make a case for the devil in a world where God is dead.