Shakespeare's Catholic context was the most important literary discovery of the last century. No biography of the Bard is now complete without chapters on the paranoia and persecution in which he was educated, or the treason which engulfed his family. Whether to suffer outrageous fortune or take up arms in suicidal resistance was, as Hamlet says, 'the question' that fired Shakespeare's stage. In 'Secret Shakespeare' Richard Wilson asks why the dramatist remained so enigmatic about his own beliefs, and so silent on the atrocities he survived. Shakespeare constructed a drama not of discovery, like his rivals, but of darkness, deferral, evasion and disguise, where, for all his hopes of a 'golden time' of future toleration, 'What's to come' is always unsure. Whether or not 'He died a papist', it is because we can never 'pluck out the heart' of his mystery that Shakespeare's plays retain their unique potential to resist. This is a fascinating work, which will be essential reading for all scholars of Shakespeare and Renaissance studies. 'But whether we can fully subscribe to all of these analogies or not, what always remains convincing is the author's understanding of the serial form and the logic of televisual storytelling, and the analyses point out instances of self-reflexivity in serial television drama with a sensitivity that is always revelatory. If we do not fail to heed the author's warnings about the real intentions of the volume, and we do not try to read the rich web of associations listed for each serial as potential sources or influences, but regard these correspondences indeed as cross-mappings, the volume will offer the reader the true pleasure of a creative and intellectual puzzle ... the volume can offer useful insights to anyone interested in adaptation studies, or who welcomes the challenge of finding traces of the Shakespeare phenomenon in contemporary culture, and most of all, it will delight readers who find pleasure in the rich and diverse world of serial drama available on quality television in the twenty-first century.'Cahiers Élisabéthains: A Journal of English Renaissance Studies In this volume, Wilson asks why Shakespeare remained so enigmatic about his religious beliefs, and demonstrates how he constructed a self-concealing theatre of darkness, deferral, evasion and disguise. Shakespeare's Catholic context was the most important literary discovery of the last century. No biography of the Bard is now complete without chapters on the paranoia and persecution in which he was educated, or the treason which engulfed his family. Whether to suffer outrageous fortune or take up arms in suicidal resistance was, as Hamlet says, 'the question' that fired Shakespeare's stage. In 'Secret Shakespeare' Richard Wilson asks why the dramatist remained so enigmatic about his own beliefs, and so silent on the atrocities he survived.Shakespeare constructed a drama not of discovery, like his rivals, but of darkness, deferral, evasion and disguise, where, for all his hopes of a 'golden time' of future toleration, 'What's to come' is always unsure. Whether or not 'He died a papist', it is because we can never 'pluck out the heart' of his mystery that Shakespeare's plays retain their unique potential to resist.This is a fascinating work, which will be essential reading for all scholars of Shakespeare and Renaissance studies. Shakespeare's Catholic context was the most important literary discovery of the last century. No biography of the Bard is now complete without chapters on the paranoia and persecution in which he was educated, or the treason which engulfed his family. Whether to suffer outrageous fortune or take up arms in suicidal resistance was, as Hamlet says, 'the question' that fired Shakespeare's stage. In 'Secret Shakespeare' Richard Wilson asks why the dramatist remained so enigmatic about his own beliefs, and so silent on the atrocities he survived. Shakespeare constructed a drama not of discovery, like his rivals, but of darkness, deferral, evasion and disguise, where, for all his hopes of a 'golden time' of future toleration, 'What's to come' is always unsure. Whether or not 'He died a papist', it is because we can never 'pluck out the heart' of his mystery that Shakespeare's plays retain their unique potential to resist. This is a fascinating work, which will be essential reading for all scholars of Shakespeare and Renaissance studies. Richard Wilson is Professor of Renaissance Literature in the Department of English at the University of Lancaster Used Book in Good Condition