Born in 1896, Tina Modotti lived one of the most brilliant lives of her era. A first-generation modernist photographer, she created internationally renowned images of extra-ordinary formal clarity and profound soulfulness. But Modotti's artistic achievement is only one facet of her astonishing story. A legendary beauty, spirited and sensuous, she scripted for herself a series of remarkable roles--glamorous actress; jazz age bohemian; Communist agent; and lover, colleague, and muse to photographer Edward Weston and painter Diego Rivera. Her friends included the illustrious--Frida Kahlo, Pablo Neruda, John Dos Passos, David Alfaro Siqueiros, Dorothea Lange, Sergei Eisenstein, and La Pasionaria--as well as workers, peasants, and humble people everywhere. Filled with the rich details of Modotti's turbulent interior life and of her journey through the cultural and political upheavals of the 1920s and 1930s, Shadows, Fire, Snow: The Life of Tina Modotti is a provocative adventure. We follow the impoverished Italian immigrant to the San Francisco stage and to the glitter of early Hollywood, then on to the artistic circles of post-revolutionary Mexico. Dramatically expelled from her adopted country, Modotti made her way to Stalin's Moscow and to the Spanish Civil War, from which she emerged tormented by tragic memories. Returning to Mexico City, she died alone in a taxicab, probably of heart disease, though rumors persist that she was liquidated by her comrades. Shadows, Fire, Snow: The Life of Tina Modotti is the first fully realized biography of this luminous figure. Drawing upon ten years of research and some 300 letters and photographs discovered in long-forgotten trunks in a family attic, author Patricia Albers brings new recognition to a talented, intelligent, and independent woman, whose bold quest is a prototype for contemporary seekers. Ever a flamboyant personality, she was nonetheless pursued, even after death, by a glaring spotlight of publicity and controversy. Her burial, in a fifth-class tomb, drew many of the grand old warriors of international communism. Meanwhile, Mexico City's modern art gallery readied a retrospective of her photographs, and journalists dredged up yellowing scandal sheets shrieking of romance, violence, deceit, and Tina Modotti. . . . "The dramatic circumstances surrounding [her death] measured up to those of her agitated, subterranean, and adventurous life," typed one eager reporter. "Bees, shadows, fire, snow," intoned Chilean poet Pablo Neruda in his elegy, "silence and foam combining with steel and wire and pollen . . ." Tina Modotti's short, intense life (1896-1942) has sparked numerous biographies, but museum curator Patricia Albers's is the first to do true justice to Modotti's photography and to persuasively trace its roots in her personal experiences. Albers does a fine job nailing down the particulars of this remarkable woman's picaresque journey: impoverished childhood in Italy; introduction to bohemianism and radicalism in California; amorous and artistic fulfillment in Mexico; a murder that launched her into the maelstrom of Communist Party activism in Nazi Germany, the Soviet Union, and Spain; return to Mexico and premature death. Even more importantly, Albers conveys the essence of Modotti's haunting images, which displayed a modernist technique similar to that of her lover Edward Weston, but applied it to the respectful, loving portrayal of Mexico's common people. Contemporary readers may regret Modotti's decision to abandon photography in 1932 and her unflinching loyalty to Stalinism (including a decade-long liaison with a particularly dogmatic party functionary), but Albers makes readers understand that the same passion that fueled her art and her many love affairs underpinned her commitment to Communism. Modotti's story is not one of reasoned choices and measured steps, but a wild, romantic saga of intrigue, heartbreak, excess, and catastrophe all vividly captured in this poignant book. --Wendy Smith Looking beyond Modotti's liaisons and life as a photographer in Mexico, Albers takes her subject off the pedestal created by Edward Weston's ethereal photographs. In this accessible work--the first comprehensive biography--Albers sees the very human Modotti as a passionate artist, inexhaustible political organizer, and modern woman set on finding fulfillment. (LJ 4/15/99) Copyright 2000 Reed Business Information, Inc. It's indicative of the drama and complexity of photographer and revolutionary Modotti's life that the first in-depth book about her took the form of a novel, Elena Poniatowska's Tinisima (1996). Now Albers presents a well-written and meticulously researched biography that illuminates Modotti's many metamorphoses. Modotti emigrated from Italy to California as a girl and had achieved modest success on stage and screen when she met Edward Weston. His stunning portraits made her an icon and inspired her to take up photography, culminating in thei