At the beginning of Henry V Shakespeare asked his audience to 'Piece out our imperfections with your thoughts': but what mental world did the Elizabethans draw on to fill out the 'vasty fields of France', Cleopatra's barge or Julius Caesar's forum? In this book, Neil MacGregor attempts to revisit the world of Elizabethan experience through discussions of objects including a communion cup, a rapier, a pedlar's trunk and a holy relic - travelling 'through the charisma of things, to a past world'. Slightly off-mint and felt-tip mark on lower trimmed edge. *Starred Review* Shakespeare may never have owned a Cristallo-glass goblet made by the craftsmen of Venice. Yet by contemplating such a seventeenth-century object, MacGregor enters the world the Bard creates in Othello and The Merchant of Venice. Just as he did in A History of the World in 100 Objects (2010), MacGregor repeatedly converts fascinating objects into talismans transporting readers across time and geography. In this volume, 20 well-chosen artifacts open perspectives on both Shakespeare’s literary art and his historical circumstances. Readers examine, for instance, a seventeenth-century dagger and suddenly find themselves beside the doomed Mercutio in Romeo and Juliet—and among the reckless roughnecks roaming the streets of Elizabethan London. Readers likewise scrutinize a brass-handled iron fork recovered from the Rose theater, an implement amplifying Falstaff’s cry in The Merry Wives of Windsor for skies that rain potatoes and prompting reflections on the oysters that groundlings ate at Elizabethan plays. Readers even peer at a reliquary containing the eye of Catholic martyr Edward Oldcorne, a grim reminder of the cruel blinding Gloucester suffers in Lear and of the brutal real-world executions carried out scant yards from the Globe Theater. Visually splendid, intellectually stimulating, a must-buy for any library with patrons who still care about the Swan of Avon. --Bryce Christensen Praise for Shakespeare’s Restless World “What did Elizabethan theatergoers eat while watching Hamlet? British Museum Director MacGregor answers that question and many others as he examines 20 objects, now in museums and libraries, that illuminate daily life in Shakespearean England. . . . Beautifully illustrated, MacGregor’s history offers a vibrant portrait of Shakespeare’s dramatic, perilous, and exhilarating world.” —Kirkus Reviews (starred review) “Visually splendid, intellectually stimulating . . . Just as he did in A History of the World in 100 Objects , MacGregor repeatedly converts fascinating objects into talismans transporting readers across time and geography. In this volume, 20 well-chosen artifacts open perspectives on both Shakespeare’s literary art and his historical circumstances.” —Booklist (starred review)   “With just a collection of twenty odd objects, Neil MacGregor offers sparkling insights into Shakespeare’s times and how the Elizabethans really lived. . . . Filled with anecdotes and insights, eerie, funny, poignant and grotesque, Shakespeare’s Restless World is another brilliant vindication of MacGregor’s understanding of how physical objects enter deep into our fore-father’s mental and spiritual world.” — Sunday Times (London) “MacGregor wants us to see both how the past shapes and shades our present but—equally—how strange and alien it should feel. . . . He shows time and again how the epoch-making changes that the Stratford playwright both lived through and expressed still echo through our arguments and anxieties over community and identity.” — The Independent “A revelation . . . MacGregor’s choice of clocks, mirrors, and swords opens a door on to the lost world of London’s theatregoers in and around 1600. . . . The interrogation of these objects yields a sequence of fascinating footnotes to Shakespeare’s timeless poetry.” — The Observer (London)     Neil MacGregor has been the director of the British Museum since 2002; prior to that, he was the director of the National Gallery in London. He is the author of the New York Times bestseller A History of the World in 100 Objects. Orders are despatched from our UK warehouse next working day.