For more than fifty years, High Noon has been a touchstone in the popular imagination and a source of endless controversy about film art. On its release it was hailed as a masterpiece. But film historians and theorists have also reviled it almost from the beginning as pretentious "social realism" inspired by its screenwriter's victimization by the red-hunting House Committee on Un-American Activities. Showdown at High Noon is the study of a film caught between popular admiration and critical disdain. In order to understand how and why High Noon has elicited such disparate reactions, author Jeremy Byman explores all of its elements, from its origins in the mind of blacklisted screenwriter Carl Foreman to its long-lasting impact on culture, American and otherwise. High Noon not only affected the westerns that followed it, but also changed filmmaking in fundamental ways. By analyzing its political, cultural, and thematic implications, Byman reveals how this one film has had such a profound and enduring influence, a long lasting impact that cannot be so easily dismissed. Includes 8 pages of photos. “Argues that High Noon was seminal in anticipating the "new," darker Western, and that the film's realist aesthetic was particularly undervalued by auteur critics...fundamentally evaluative...” ― Choice Reviews “Upon its release, the film High Noon was hailed as a masterpiece. Some film historians and theorists have since reviled it as pretentious social realism inspired by its screenwriter's victimization by the House Un-American Activities Committee. This study explores how and why the film has elicited such disparate reactions, looking at its political, cultural, and thematic implications. B&w film stills are included....” ― Reference and Research Book News “Upon its release, the film High Noon was hailed as a masterpiece. Some film historians and theorists have since reviled it as pretentious "social realism" inspired by its screenwriter's victimization by the House Un-American Activities Committee. This study explores how and why the film has elicited such disparate reactions, looking at its political, cultural, and thematic implications. B&w film stills are included.” ― Reference and Research Book News Jeremy Byman holds a Ph.D. in political science and M.A. in cinema studies, and has taught political science and film courses at several colleges and universities. He was the film reviewer for an arts and entertainment weekly for 19 years. This is his seventh book.