Four plays inspired by and originating on the European stage from one of Britain's most important playwrights. Three Kingdoms was presented at Teater NO99 in Tallinn, Estonia on 17 September 2011, before opening at the Munich Kammerspiele, Germany, on 15 October 2011. ‘An inconsolable mood of dread, abandon, violence and suspicion lurks beneath the show's skin of arty insouciance, and at times the script attains a lyrical pitch of accusation against the West that quite overrides the flippancy. There's something of value here.’ Daily Telegraph ; The Trial of Ubu premiered at the Schauspielhaus Essen in a co-production with the Toneelgroep Amsterdam. ‘The play certainly gets at the banality of evil, and evokes the slow, sometimes dull, often uncertain slog of justice.’ Sunday Times . Subtitled ‘A Play For Young People’, Morning was developed in partnership between the Lyric Hammersmith, London, and the Junges Theater, Göttingen. The Financial Times described it as ‘theatrically daring and uncompromising’; Carmen Disruption , a reimagining of Bizet’s opera, premiered at the Deutsche Spielhaus in spring, 2014, before its UK premiere at the Almeida, London, in April 2015. ‘You can't help but be moved by the circumstances facing the five main characters. There's an understanding and a compassion amid the bleakness. And a fierce sense that something needs to change.’ Guardian ; “Mr. Stephens, one of the most quietly original British playwrights working today, has the gift (or curse) of perceiving human unhappiness with an almost clinical verisimilitude, unclouded by sentimentality or sensationalism ” ― New York Times For more than twenty-five years Simon Stephens' work has been widely translated and produced throughout the world. He has won many Awards including Olivier and Tony Awards for new plays. His 2026 play An Ark staged by Tim Drum Collective at the Shed in New York was one of the first plays ever written for Mixed Reality . His radical adaptation of Uncle Vanya, Vanya, starring Andrew Scott ran in London's West End and at the Lucille Lortel , New York between Autumn 23 and Spring 25 and was screened to phenomenal success on NT Live and NT Home. His adaptation of Jose Saramago's Blindness was made into a light and sound installation that was produced internationally during the Covid 19 pandemic. His most famous play is his adaptation of Mark Haddon's best-selling novel, The Curious Incident of the Dog in the Night-Time. He has had thirty five original plays produced professionally. He has written new English language versions of masterpieces by Chekhov, Ibsen and Brecht, collaborated with the world's leading theatre practitioners (Patrice Chereau, Ivo Van Hove, Marianne Elliott, Katie Mitchell) and produced original work throughout Europe, Asia, Australia and the Americas. He has been Artistic Associate at the Lyric, Hammersmith and Associate Playwright at the Royal Court Theatre. He has taught playwriting workshops in five continents. He has presented four series of the celebrated Playwright's Podcast from the Royal Court Theatre. He is a Professor at the Writing School of Manchester Metropolitan University. His book A Working Diary was published by Methuen Bloomsbury in 2016. He lives in East London with his wife, three children, their snake, two cats and two dogs.