Stomp and Shout: R&B and the Origins of Northwest Rock and Roll

$10.07
by Peter Blecha

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Finalist for the 2024 Washington State Book Award in General Nonfiction Parking lot rumbles, teen dance riots, and the rise of the Northwest Sound Long before the world discovered grunge, the Pacific Northwest was already home to a singular music culture. In the late 1950s, locals had codified a distinct offshoot of rockin' R&B, and a surprising number of them would skyrocket to success, including Little Bill and the Bluenotes, the Wailers, Ron Holden, Paul Revere and the Raiders, the Kingsmen, Merrilee Rush, and the Sonics. With entertaining accounts gleaned from hundreds of interviews, Peter Blecha tells the story of music in the Pacific Northwest from the 1940s to the 1960s, a golden era that shaped generations of musicians to come. The local R&B scene evolved from the area’s vibrant jazz scene, and Blecha illuminates the musical continuum between Ray Charles (who cut his first record in Seattle) and Quincy Jones to the rock 'n' rollers who forged the classic jazz-tinged "Northwest Sound." DJs built a teen dance circuit that the authorities didn’t like but whose popularity pushed bands to develop crowd-friendly beats. Do-it-yourself enthusiasts launched groundbreaking record companies that scored a surprising number of hit songs. Highlighting key but overlooked figures and offering a new look at well-known musicians (such as an obscure guitarist then known as Jimmy Hendrix), Blecha shows how an isolated region launched influential new sounds upon an unsuspecting world. Stomp and Shout was made possible in part by a grant from 4Culture’s Heritage Program. A Michael J. Repass Book "In a tour de force, Blecha offers all music fans the definitive book about the highly significant but much neglected story of Northwestern U.S. rock."― Library Journal, starred review "[Peter Blecha] adds the voices of Seattle musicians to the story of Northwest Sound."― Seattle Times " Stomp and Shout finally gives a voice to the musicians, promoters, producers, and entrepreneurs who laid the groundwork for the musical explosions to come."― GRAMMY.com "In a well-written and wonderfully illustrated narrative chock-full of first-hand accounts, Blecha tells the story of important northwest rockers."― Pacific Northwest Quarterly (PNQ) "Grunge fans should check out Stomp and Shout , a meticulously detailed early history of Northwest R&B and rock and roll. Blecha presents a fascinating narrative of the globally influential garage bands that also inspired Sub Pop Records. Highly recommended!"―Bruce Pavitt, cofounder of Sub Pop Records " Stomp and Shout succeeds in making the case for the Northwest Sound as a distinct musical genre and as a significant element of both Black culture and youth culture with a lasting impact on the regional psyche."―Kurt Armbruster, author of Before Seattle Rocked: A City and Its Music "An impressive geo-musical chronicle of the pre-grunge Pacific Northwest music scene with an insightful and fresh approach that adds an essential layer of voices to this critical chorus of music writers, historians, and artists."―George Plasketes, author of Warren Zevon: Desperado of Los Angeles " Stomp and Shout extensively covers not only the broader history but also the intimate details of the journeys of Northwest musicians, including my grandfather Dave Lewis. A must-read for every musician in the greater Pacific Northwest."―D'Vonne Lewis, band leader/musician/drummer/poet "I can't think of anyone who knows more about, and has a deeper love for, the early days of NW R&B and rock 'n' roll than Peter Blecha. Lucky for us, he shares his love and knowledge in Stomp and Shout !"―Mark Arm, Mudhoney "Bringing together decades of research there are many historical nuggets to be unearthed in this slim volume highlighting the overlooked foundations of rock in the Pacific Northwest."―Sarah Jaffa, 2024 Washington State Book Award committee, Kitsap Regional Library Parking lot rumbles, teen dance riots, and the rise of the Northwest Sound ― University of Washington Press Peter Blecha was a founding curator at Seattle’s music museum, EMP (now MoPop). He is a staff historian and contributing editor with HistoryLink.org. This is his tenth book.

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